Literary Performative Theory And Methodological Significance

The speech Act Theory,initiated by Austen and continuous developed by Searle and Oheman,brings another important turn of contemporary Western literary theory,after the turn caused by Saussure.Inspired by its influence,Literary performative theory came into bring.Literary performative theory not only emphasizes the narrative behavior of literary works,but also pays more attention to the practice of expanding literary discourse to the real world.In other words,It reflects the role of literature in creating reality and changing reality.Speech Act Theory was originated from the concept of philosophy,then incorporated into the concept of literary theory and deepened.Afterwards,it was re-used in philosophy and cultural studies and other fields.The change of the theory reflects the complex relationship between philosophy and literature,but also indicates the possibility of literature acting in the real world from the philosophical level.This way of turning back into the literary ontology can be an example of academic deep development and Interdisciplinary knowledge integration under the background of post-modern.It not only meets the needs of the interdisciplinary knowledge reconstruction,but also highlights the existence value of literary studies.In addition to"Introduction" and "Conclusion",this thesis consists of four chapters:The introduction mainly presents the domestic and foreign research status of literature theory,and the theoretical value and practical significance of the thesis.The first chapter,"The Performative Possibilities of Literary Language,"summarizes the basic viewpoints of Austen,Searle,and Oheman in literary discourse,and points out the viewpoints of whether the discourse of literary and here the relation between literary language and ordinary language is also posed for argumentation.The second chapter,"The Way of Writing the Literary Discourse",mainly discusses the concept of how Fischer,Derrida and Miller describe the literary language,and shows the various manifestations of the literature:that is,the literary act of the reader can be repeated The literature of the line of writing,writing reading has no doubt the three aspects of the line.In the third chapter,"cross-border study of literary line",the author discusses the"deeds" from philosophy of philosophy,literature,literature The field extends to a broader field of political and social life extension of the theory.In the fourth chapter,"The Methodological Features of Literary Performative Theory" discusses from the three perspectives of interdisciplinary,reading and reader construction,content research and external research.The conclusion briefly describes the characteristics of the interrelation and fusion of the discourse of literature,and the trend of the future development of culture,and prospects the opportunities and challenges that the theory of literature can face in the new era of Internet media.