Japanese Images Of Novels In Different Discourse Spaces During The Period Of Anti-Japanese War In China

Novels in Anti-Japanese War is an important part of Chinese modern and contemporary literature of the war.In the academia circles,there are large numbers of academic researches about Anti-Japanese War Literature.But the related research is concentrated in the national study of the self,for hardly any specialize in others-Image.China’s literary world split into three different discourse spaces,respectively are Liberated area.National area,and Enemy-occupied area during the period of Anti-Japanese War.Due to the difference of political climate,geographical environment and the writer mentality in different discourse spaces,Japanese Images of novels also revealed a certain similarity and diversity in different discourse spaces during the period.All these provide a unique perspective for the topic of this thesis.The thesis attempts to starting with the perspective of the imagologie of comparative literature,takes the empirical study as the main research method.Discussing Japanese Images of novels in different discourse spaces through horizontal comparative research,analyses the associations and differences between Japanese Image in-depth and to further explore the meaning behind them.Especially keeps a watchful eye on the particularity and Limitations for creation of others Image in war literature through the analysis of typical examples.which is a self-examination for ourselves and a illumination for further understanding and restoring historical truth and how to properly treat Japan and dealing with the relation between China and Japan at the same time.The thesis includes four parts.The first part is an overall evaluation for Japanese Image in three discourse spaces from the macro view,analyzing the background and the expressive style of Japanese Image in three different discourse spaces.From the second part to the fourth part is the specific analysis of Japanese Image in each discourse space respectively,extracting the most fundamental characteristics of Japanese Image that different from other regions in each discourse space and carries on concrete analysis to it.Especially pays close attention to political and cultural context for Chinese writers to realize Japan and shape Japanese Image in different discourse spaces.The end is conclusion.Wartime the macro work environment in each discourse space determines the writers’ basic attitude to Japan,each writer’s individual identity and emotional factors and readers cognitive in different discourse spaces also have potential influence on Japanese Image.Finally points out that Japanese Image is not only seen as the creation of Chinese writer in a personal way,but also on behalf of the explanation from one culture to another in special political background,which could be a reference for the creation of today’s literary and artistic works.Especially for literati group,how should they shape Japanese Image objectively and fairly,which has great practical significance for current and future.