Research On China Native Practice And Creation Of The Horn Playing

As everyone knows,this is a pure horn with western music "descent" "imported" instruments,initially with China folk music there is no intersection.However,since the last century since 50 s,Chinese musicians have created a series of horn is mainly a vocal or foil voice accompaniment of national orchestral works,the horn that "imported" instruments to gradually integrate into the folk music of the "big family".These designs have outstanding national horn voice orchestral works,show the Chinese composer in the national five tone of aesthetic ideal under the guidance to us,the fusion of Chinese and Western style system,from the micro and macro two aspects based flexible processing,flexible use of basic playing techniques on the selection of suitable horn,to create rich National timbre the music style of the musical virtuosity of the horn fabric.It can be said that these works is a gift to our horn music development in the cause of a precious legacy of art.Research on these outstanding orchestral works,will help us to have a clear Chinese horn works of nationalization and localization of writing and playing rules.In view of this,I choose "horn in the research on the application of China music" as the subject,through the analysis of the revolutionary Modern Peking Opera "tiger" in the horn part writing techniques and thoughts of creation,creation and performance of national law,summed up the horn works.Specific to this study,mainly through the five aspects of the creation of local national horn research,in the foundation of the horn art characteristics of the localization of national music rich and innovative,the history of the development of national music horn context combing,selection of revolutionary Modern Peking Opera "tiger" this works as the main object of study,from the analysis of the phenomenon of music technology "," the basic techniques of application "," tone selection and change "and" fingering analysis "of the four point of view,to analyze the writing method of national orchestral texture in the horn and horn in voice analysis of national orchestral fabric by play the function of body.And further from the creation technique analysis "," basic playing techniques using the right "," the pursuit of national music style and aesthetic paradigm " the angles,creation and performance experience to sum up the nationalization of horn works,and analysis of the creation and performance of the horn in our national music in the creation of style and charm.