Tracing Line Of Flight: The Aesthetic Analysis Of HONG Sang-soo

Hong Sang-soo is known as the first Korean film auteur.He has a distinctive style of film language,which makes him unique within South Korean cinema itself.His films are considered as a Korean cultural dessert.So far,the 19 works present complex relationships of the modern urban middle-class intellectual,which contains dislocation love and restlessness,and highlight the conflict of the inner hidden appetites and traditional morality under Post figurative culture."Embarrassment" has become the most important figures in Hong's film,reflecting the state of intellectuals,who are more easily suffered from the Hong's dilemma of moral and desire.This paper attempts to use "Line of Flight",the concept of Jill Deleuze and Felix Guattari,investigating Hong's "embarrassment" in terms of emerging Hong's exploration of human desire,impulse and delicate feelings.Hong deconstructs such thoughts as ethic,moral,sex and love,androcentrism and supremacy.Through analyzing the perspective of de-gendering,a tendency of Hong's deviating from the secularity and affirm the desire is a given.Open yourself to life.Hong's works are like a series of similar forms and stories,which exist therepetition and intertextuality between the story inside and out.The presentation of the image reflects his molecular style of producing cinema,which he called "treatment".He despises the cinema as a system,insisting no script,no storyboard,with a small team and the common actors.There is no predetermined state given to cinema,and he stick to his own way to creation.He tries to convey his own direct perception of the world and the complex nature of the body.Never giving up the narrative is different from any other contemporary Asian director.