Research "Ontology" Of Li Zehou's Practical Aesthetics

Li Zehou who has an international influence as a scholar of aesthetics has made great contribution to the development of Chinese aesthetics and its modern transformation.His aesthetic thoughts are distinct originality,foresight and richness."Ontology" as the main line of practical aesthetic thoughts,runs through the whole aesthetic career.The "Ontology" in Li Zehou's aesthetic thoughts is complex and can not be simply understood as the ontology of monism.We should fully combine with other concepts and theoretical perspectives of Li Zehou's aesthetic thoughts when we sort out the "Ontology".The connotation of "Ontology" is explained in the specific context.We consider the development of "Ontology" of Li Zehou's practical aesthetics with the perspective of dialectical development of Marxism."Tool Ontology" as the original form of the concept of ontology,is the subjective philosophy of the important achievements,but also to answer "how human are possible".Li Zehou began to pay attention to the social and cultural psychology in the perspective of "anthropological historical ontology"."Psychology ontology" gradually became the focus,and "tool ontology" naturally hidden."Tool ontology" became the foundation of Li Zehou's aesthetic thoughts in the field of ethics,such as "emotion ontology".Therefore,we have to jump out of the monism or dualism of the framework to look at Li Zehou's"Ontology".We study the evolution of "Ontology" from the perspective of concepts and theories.This paper starts with the origin of "Ontology" and its development process which focuses on the content and the relationship of "tool ontology","degree ontology","psychology ontology","emotion ontology".The aim is to master the ideological connotation of Li Zehou 's practical aesthetics and show the value and significance of the "Ontology" of Li Zehou's practical aesthetics.