A Study On The Adaptation Of Peony Pavilion Since The 20th Century

This article mainly investigates the drama adaptation of Tang Xianzu 's legendary opera Peony Pavilion since the twentieth century.Peony Pavilion since its inception has been adapted into a variety of art forms,widely staged,as Linchuan four dreams of the most.This paper intends to study the aesthetic style of the Peony Pavilion drama from the perspective of artistic aesthetics from the perspective of the legendary script to the Kunqu opera,Yue opera and drama.The thesis consists of three parts: introduction,text and conclusion.The introduction part of the twentieth century since the Peony Pavilion stage drama and opera film and television adaptation of the overview,and ask questions.In the first chapter,the opera play of Peony Pavilion,the author analyzes the inheritance and development of the opera art of the opera Peony Pavilion by using the theory of artistic aesthetics.On this basis,New interpretation,and above Kun version and the youth version of Peony Pavilion as a case,analyze the reasons for its success and unique artistic charm.The second chapter,Peony Pavilion,is an overall analysis of the opera of the Peony Pavilion from the artistic features and stage characteristics of the opera,to see how it is presented on the stage of the Yue opera and become a model of the transplant version.The third chapter Peony Pavilion drama adaptation is mainly to analyze the Peony Pavilion drama adaptation in different audiences under the aesthetic changes,and further explore the phenomenon of drama campus.The reason of diversification of aesthetic style of different versions of Peony Pavilion from the three aspects of text,aesthetic concept and choreography.