The Writing Of Jingchu Folk Culture In Liuxinglong's Novels

As a folk custom for thousands of years as China novelists keen on description of the topic,whether it is Chinese classical novels and modern writers novels are written with ink at folk,folk and so writers have long become the research focus and discussion topics.As a folk culture folk life,often with the attitude of a writer silent creation,they consciously or unconsciously empathy in the folk performance is the familiar local customs and practices,the reality of the local customs and geographical writer.Hubei writer Liu Xinglong China in contemporary literary circles because of its new line of the temperament of people's attention,most of his works is very obvious tendency to folk creation,has a long history,rich and colorful Jingchu folk culture gave birth to Liu Xinglong's unique artistic world and the spirit of literature.In this thesis the author will take the view of folklore,take care of all the works or Liu Xinglong,based on the spirit of forming the unique regional style of Chu folk culture and the deep meaning of deep mining,the researchers confined to a leader or even misunderstanding of the breakthrough,the Liu Xinglong research to be more fully integrated.The interpretation of Liu Xinglong's novel from the perspective of folklore has some theoretical innovation value in some aspects,and it may be a more appropriate way.The main body and conclusion of this thesis are divided into four chapters.The first chapter is the introduction part,the author first introduced the topic of why the choice of Liu Xinglong as the research object,researching the present situation in recent years,scholars of Liu Xinglong and then,the author finds that most of the researchers have not yet in-depth study and Discussion on the folk culture in Liu Xinglong's novels,this thesis will conduct the thorough research in this aspect.Finally,it introduces the related theories and research methods,mainly using the method of textual research,literature research and folk custom theory.The second chapter analyzes the narratives of Jingchu folk culture in Liu Xinglong's novels.The basic necessities of life,dialect,totem worship,spiritual beliefs,community structures,and the customs which have formed all belong to folk customs,up to now,many of which have been inheriting,transforming and enjoying by people.Liu Xinglong's writing,comprehensively and fully reflects the rich and colorful folk customs,social customs and folk language of jingchu area.At the same time,the author praises the simplicity of the folk customs.The third chapter analyzes the spiritual foundation of Jingchu folk culture in Liu Xinglong's novels.And in his novels,Chu culture as well as Taoism culture is the internal driving force of the people's life,but also the spiritual support of the whole nation;as the base of culture Jingchu,they have penetrated deeply into all aspects of people's lives.The sage worship,nature worship,women worship and other distinctive folk beliefs reflected in the novels of Liu Xinglong are more than their parts and significances as a religious belief,which has rich aesthetic connotation of art.The fourth chapter analyzes the deep connotation of Jingchu folk culture Liu Xinglong's novels.Located in the hinterland of the Central Plains,Jingchu area is the birthplace of Chu culture,with cultural exchange collision of the north and the south,the Great Harmony,unique regional culture and folk customs come into existence.The splendid mountains and rivers spread all over Hubei and the historical developments for thousands of years thus form the local people's natural worship of rivers and mountains.In the novel "What' s the Door" and "the Romantic History of a Tree",the natural landscapes are not only the basis of Chu people's life,but the object that they conquer and worship.Though his long-term living in the city,the honest and simple folk customs of his native land,the splendid landscapes,have imperceptibly edified him from his early age,which contributes to his strong local complex.And native soil is the end of his mind.