"Zhao Ming Wen Xuan" Aesthetics Research Object Chanting Fu

"Wenxuan" first selected Fu,Fu visible position in the hearts of Prince Zhaoming,Fu in the minority,and chanting Fu Fu Fu is small,the degree of attention is not Fu so high,coupled with the combination of aesthetic theory system,the aesthetic characteristics of object chanting Fu clearly presented,more in order to understand the meaning of object chanting Fu,appreciating the aesthetic value of the text.This paper mainly through the definition of object chanting Fu,the objectchanting Fu from the "Wenxuan" Fu extracted respectively for animals and birds(animal),music(artifacts)Fu Fu,Jiang Haifu,the scenery Fu and the four aspects of aesthetics and the combination of the aesthetics research object chanting Fu in-depth exposition.The main text is divided into seven parts.The first part is the introduction.In the introduction,it focuses on the definition and classification of chanting Fu,and sums up the research scope,research methods,research focus and significance.The second part firstly summarizes the status quo of aesthetic object chanting Fu,the researchers of the objectchanting Fu a lot,but the combination of aesthetics and little;then according to the time sequence: the pre Qin Dynasty,Wei Jin,the southern and Northern Dynasties to China classical aesthetics of carding,combined with Hagel's aesthetic theory,refine "Wenxuan" will use the objectchanting Fu the aesthetic theory of knowledge.The third part is the focus of the article is divided into three sections: the first section,layers of depth of "birds" intention to elaborate,first respectively each Fu with the background of that time and the author's experience of writing background and reasons,then then discusses the birds from Fu in Han Dynasty,and has its unique social history finally,with the rise of environment,birds of consciousness,and is widely used.The second section,from the external and internal aspects of the "bird" of the aestheticanalysis of the two.The third section,under the background of the times,"bird" Fu is a "come into being" products,in line with the urgent needs of contemporary scholars.The fourth part is the most important part of the thesis,which is divided into three sections.The music and the "beauty" is the most easy to combine together,the first section from the external experience the beauty of music,musical instruments through the material,material growth environment,the performer demeanor,clothing and appreciating the facial expression and other aspects,through a combination of "Xiao Fu","Qin Fu","Wu Fu" "Xiao Fu",for example;the second section of the 6 Fu can be divided into two aesthetic direction--"tragic as beauty" and "to and for the United States," these were pointed out and corresponding Fu,the most prominent is the "Xiao Fu" and "Fu" for Piano these two features,so the two Fu in the third part,analyze the specific comparison;third section from two aspects of Confucian and Taoist aesthetic thought of music for further analysis.The fifth part "Jiang Haifu anthology" the only "Jiang Fu" and "Fu" two Fu Hai,the two Fu traceability inquiry,then the two Fu the content of in-depth analysis,combined with the technique of writing is the artistic features of aesthetic inquiry.The sixth part of the scenery Fu,which included a total of four pieces of Fu,namely "Fu Feng","Qiu Xing Fu","" and "" rhymed prose snow month Fu,in this part will be analyzed by discourse language and art aesthetic characteristics on each Fu,compared to the "" and "" rhymed prose snow month Fu also will simple.In the last part,no named plant name Fu,so it was not studied thoroughly.the paper makes a summary of the full text,and sums up the aesthetic characteristics and the influence on the later generations.