Natural Appeal

In ancient times,Israel circulated such a story,as long as wearing a magical ring,King Solomon can communicate with flowers,birds,insects,fish and so on.While King Solomon is using external tools to communicate with animals and understand their inner worlds.And contemporary writer Liu Qingbang try to reach a harmonious realm between the animals and his heart by virtue of a sincere heart,his writing of animals is full of warmth and interesting narration,some animals are carefree,wild unrestrained,and some animals’ hearts are filled with gratitude,kindness.They are beautiful,or good or unfortunate.They have a unique existence value in Liu Qingbang’s pen.In the contemporary literary world,Liu Qingbang is a creative and productive writer,whether it is written in the village,mining or city.He adhers to the inner writing principles,in order to build its own spiritual world.This paper chooses the animal as a breakthrough,from another point of view to explore his inner world,and how he is free to shuttle between people and animals,which set up the bridge between the people and animals’ communication.In the works of Liu Qingbang,the existence of a large number of animal texts is by no means an accident.Why so many animals appear in Liu Qingbang’s works ? How did his animal narration happen? What kind of theme does he want to convey through animal narratives? I would like to explore Liu Qingbang’s animal narrative to clarify these problems one by one.The text is divided into four chapters which is attached to the introduction and conclusion.The introduction part briefly combs the present situation of animal narrative research in Liu Qingbang’s creation,and then explains the reason of choosing this topic and points about the research ideas and methods of this topic.On this basis,it establishes the value and significance of the research.The first chapter mainly introduces the general research situation of his animal narration.A brief overview of the creation of fictions situation and the development status of animal narration.A analysis of the origin of his animal narration from the cultural origin,the central plains unique Taoist culture and the long history of agricultural civilization to the animal narration to spiritual direction,and we also discusses the source and power of animal fictions narrative writing from the perspective of his life experience.The second chapter mainly elaborates the animal narrative text of Liu Qingbang in the sight of children.Liu Qingbang create a child in line with the psychological awareness of the animal narrative text from the perspective of children,which embodies the meaning of the animal and animal role play in the text.At the same time,this chapter analyzes the peculiar value of animal narrative in children’s field of vision,the instinctive release of animal and the animal’s gratitude to nature,points out the positive effect of animal narration on children’s physical and mental development.The third chapter discusses Liu Qingbang ’s interpretation of ecology in animal narrative works.From the perspective of ecological literature,Liu Qingbang’s animal narrative is interpreted.First,the ethic of reverence for life in ecology is explained,and the theory is used to penetrate the text,and the author’s expression of the fear of animal life,such as animal of the gratitude and revenge,animal resistance and struggle to analyze,resulting in Liu Qingbang’s life consciousness and life feelings.In his subconscious,the animal has always been noble and dignified attitude to survive in nature and society.Liu Qingbang did not stop in the fear of animal life,but to the tragic experience of animals to express his sense of urgency,so the second chapter will elaborate Liu Qingbang ’s thinking of their homes from two aspects of the anthropocentrism of the tragedy and the "poetic home" vision.The fourth chapter discusses the presentation of Liu Guibang ’s animal narration and the writing of human nature.Animal characters in the narrative shape is not always so specific and clear,but Liu Qingbang is consciously through the animal image to comport the person presented.The first section of this chapter will be the animal narrative text in the self-image and female image classification,and pointed out the applying of unfamiliar,mirror theory when he shape a image.The second section mainly analyzes the human nature of animal narration,and starts from the two aspects of the underlying humanistic binary opposition,the digestion of animal nature and the construction of human nature to excavate the "human world" hidden behind Liu Qingbang’s animal narrative.Expounded Liu Qingbang ’s animal narrative to hold on the human care and thinking about human nature.The conclusion is the review of Liu Qingbang’s creation of animal narrative phenomenon,and pointed out the deficiency of reusing writing resources,self plagiarism and so on.Liu Qingbang expresses his emotional and ideological by using the form of his unique animal narrative.The diversity of the expression and the orientation of the style gets him an indispensable position in the Chinese contemporary animal narrative pedigree.