A Preliminary Study Of Audiovisual Design In The Context Of 3D Holographic Sound

With the increasingly development of sound technology,we have to face a new context.At the same time,the improvement of the public aesthetic makes the public claim for new requirements in terms of visual and audio experience.In this thesis,the author puts forward two concepts: 3D holography and sound space montage.This paper will focus on what is 3D holographic sound,why traditional voice technology has a negative impact on the visual art,how 3D holographic make the picture in more line with sound,what is the significance of sound space montage to the creating of film space and audio-visual design,and how to make full use of 3D holographic sound system to grasp the creation of musical film?This paper will compare the performance of "Moulin Rouge","fight club" movie clips in the original film and in the context of 3D holographic sound and to demonstrate that 3D holographic sound can make up the flaw of sound on the audio-visual art,which make the sound and picture further integration.Not only that,this paper will redesign the clips from "the Hobbit","Harry Potter","beauty and the beast" and other representative movies based on the audio samples of 3D holographic sound,and to discuss the possibility of "first voice" in film visual design in the context.The appearance of 3D holographic sound has certain influence on the film experience and ways of creation for film professional,and its remodeling ability to film space brings out the author with some new inspiration in the process of creation,and conduct theoretical analysis and practice in the aspects of audition performance of musical film.