A Study On The History Of Hubei's Erhu Art In The Second Half Of Twentieth Century

China's traditional musical instrument erhu has a history of more than a thousand years,but the development of professional erhu art is only a hundred years of history,it rose in the first half of the 20th century,prosperity and development in the second half of the 20th century.Twentieth Century professional erhu art rise and prosperity and development with two important factors.First,the first half of the 20th century,China's music history appeared an outstanding national musicians,composers,reformers,educators,erhu performers Liu Tianhua,Mr.Liu Tianhua inherited Chinese traditional music,based on Western music creation Technical characteristics and professional training system approach,through his successful innovation and practice,leading the Chinese erhu art embarked on a professional development path;the second is the healthy development of China's higher professional music education,especially in the second half of the 20th century,the establishment of new China After the attention of the party and the government,the establishment,creation,performance and theoretical research of the professional curriculum system of Chinese music subject in the higher professional music conservatory have developed a large number of outstanding erhu music works,professional erhu art talent times Out,erhu art development presents a prosperous scene.In the second half of the 20th century,the development history of Hubei Erhu Art was closely related to the construction of Chinese musical instruments,the teaching and teaching of Erhu,the cultivation of talents,the creation,the performance and the theoretical research of the Wuhan Conservatory of Music.In the second half of the 20th century,the late music teacher of the Wuhan Conservatory of Music,the outstanding erhu performer,composer,educator Huang Haihuai created the erhu music "Horse Race",Rearranged the erhu music "River Waters",in thousands of erhu music Works in the dazzling,has become widely circulated by the Chinese national instrumental music,elegant and elegant classic songs,Huang Haihuai and his unique playing techniques and style,as well as him as the representative of Hubei Erhu art is also widely watched.Hubei professional erhu art has gone through four generations of inheritance and development,there are representatives at home and abroad reputation,such as Huang Haihuai,Wu Suhua,Hu Zhiping;a number of representative tracks,such as "Horse Race"(Huang Haihua Erhu music)"Verce of Autumn"(Hu Zhiping Erhu music),and so on;there are a number of academic research results,such as "Erhu bow of the mechanical problems"(Wu Suhua),"On the erhu of the technology,skills training"(Li Jianxiong),"On the erhu playing artistic artistic creation"(Hu Zhiping),"Erhu art on two issues"(Hu Zhiping)and so on.It is of great significance to promote the innovation and development of Hubei Erhu art and the prosperity and development of Chinese national instrumental music in the second half of the 20th century.From the perspective of three perspectives,the paper analyzes and studies the development course and style characteristics of Hubei Erhu art in the second half of the 20th century.First,with the time as a clue,the second half of the 20th century,Hubei erhu art in different periods of the development of the context of sorting out and analysis;second,at different times outstanding representatives and representative works as a clue to Hubei Erhu Art Style The author analyzes the characteristics of the erhu art in Hubei Province in the second half of the twentieth century,and analyzes the inheritance,Innovation.