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A Brief Analysis On The Form Factors Of Vertical Molding Of Weng Zhong Qianling Tomb Sculptures Of Tang Dynasty

Posted on:2018-03-10Degree:MasterType:Thesis
Country:ChinaCandidate:Q B WangFull Text:PDF
GTID:2335330518959782Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
This article by Tang Qianling as wengzhong stone statues(also known as direct general court or sword stone,or hold the sceptre of Ambassador)factors on its vertical form.This paper is divided into five chapters,the first chapter is "the basic form" Qianling horse stone statues,a brief overview of what the "horse";the basic form and source analysis of Qianling stone horse,and influence the development of China ancient tomb sculpture of stone statues of Tang Qianling.The second chapter is the "horse stone form in Qianling erect modular scale and personalized factors",to borrow the famous German sinologist Lei Dehou "all things" in the "Chinese art in module and mass production" theory,analysis module of Qianling horse stone statues of the whole erect modelling(Modular),the local personality scale and individual problems;the third chapter is "biological form in Qianling Horse Stone upright factor",this chapter from the perspective of evolutionary biology overall erect modelling form,to the biological factors involved in growth and the human upright.Discussed the plant "trend and animal growth to" people walking upright evolutionary perspective;the fourth chapter is "upright form in Qianling horse" constructivism "psychological factors",in this chapter,using the famous Swiss child psychologist Jean Pia Jay "constructivism theory",discusses the role of human beings in the "vertical" psychology in other forms.Based on the analysis and comparison of common in the world of ancient art relics in Qianling stone "upright" horse similar form,common reflection psychology in terms of human art.The extension of "universal upright form in Chinese and foreign" in modern life,and "constructivism(cognition occurrence theory)" psychology of the world art interpretation,which is the focus of this chapter;the fifth chapter "architecture as wengzhong stone upright form in Qianling the factor of",this chapter mainly from the past the existing building and other factors,because of the close relationship between sculpture and architecture,in the traditional art and aesthetics in previous already have extensive and in-depth interpretation,not too much to say in this paper.
Keywords/Search Tags:Qian Tomb of Tang Dynasty, As wengzhong stone, Vertical molding, Modular, Form factor
PDF Full Text Request
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