| Wu Changshuo devotes his own life in the pursuit and exploration of his artistic path.He is thoroughly understand the meaning of poetry,calligraphy,painting,seal,and be the best for one generation.He is a successor of traditional and ancient in modern painting,and also a innovator that break through the tradition and develop new trend for descendants.His unique artistic practice of goldstone into the painting is perfectly satisfying the three aspects needs of modern painting on traditional ancient,demand of time and self-expression.His artistic practice and exploration led to the development of Chinese painting in that era,leading the modern Chinese painting,especially the large freehand bird-and-flower painting to a new situation.This article uses Wu Changshuo’s "goldstone into the painting" as the lead,and then study the unique artistic characteristics of Wu Changshuo.The " goldstone into the painting" is not simply the surface of the relationship between stone carving and the painting,but refers to the relationship between the majestic magnificent stone issued by the four fusion of poetry,calligraphy,painting,seal with the painting.Previously,as for Wu Changshuo’s studies on the relationship between sealcutting and stone drum clerical script’s pencraft and Wu Changshuo’s painting,there are also researchers made a rough analysis on the " goldstone into the painting ",but there are still lack systematic and comprehensive study of the inner countless relationship between poetry,calligraphy,painting and seal,especially for how Wu Changshuo’s poetry,calligraphy,seal engraving achieve integrative reconciliation completely and naturally and practically used in his painting creation.The author uses the causes of Wu Changshuo’s "goldstone into the painting" and its performance in its painting as main research contents.And then study the characteristics of Wu Changshuo’s painting.The author believe that Wu Changshuo’s years of accumulation of goldstone foundation is the cause of his late goldstone into the painting,so in the second chapter of this article,the author use the methods of interrelation and comparative research to thoroughly analyze his poems,calligraphy and sealcutting features and mutual reference and influence as far as possible.The third chapter uses the methods of image comparison,summarization and categorization and so on to explore the influence of Wu Changshuo ’s painting on his poetry,calligraphy,seal and the embodiment of the goldstone.This article tries to explore the inner links of poetry,calligraphy,painting and seal in traditional painting through the study of the characteristics of Wu Chengshuo’s "goldstone into the painting",and then further explores the succession and change of Wu Changshuo to the tradition.So to enlightenment contemporary painting and also give a new direction for my road of painting practice. |