| The modern traditional Chinese realistic painting of heavy-color painting fush together with new painting techniques and spirit of the time,at the same time inherit traditional painting of heavy-color painting techniques.Ideological content of the picture can be expressed via skin texture and material,and it reflects the artist’s spiritual emotion.The innovation of the formal language and characteristics of times for painting become more prominent;therefore,the innovation and utilization of formal language is very important for an artist.Material combined with the context of contemporary art is one central form of art expression.I want to combine traditional culture symbol and the integration of the contemporary spirit via the creation of material and the contemporary context of painting,I connect personal thoughts with painting,and convey the spirit of the era of experience of painting language and cognition;I appreciate that good art needs painter continually on the techniques and art spirit thinking to explore through these years of painting creation,I will I explained modernity,aesthetic,artistic of heavy-color painting through the innovation of material,image visual effect,and combined the pictorial language with the spirit of the time;In order to show the concept of art cognition level and practical ability that I ever realized,I focused my graduate work on a lot of painting creation that build a different visual,spiritual and aesthetic context in life;Keep trying new language form in creation,to show new cognition and new heights of mine.Traditional Chinese realistic painting of heavy-color painting join the new painting concepts and art forms,and present a new era of fashion and painting idea constantly along with the development of the era;The artist should be constantly to update self-awareness,perfect their knowledge structure and make their own spirit and artistic accomplishment keep up with the pace of the time.This is a true artist should be thinking about. |