A Study On Xinjiang Uyger Adapted Folk Songs

China owns long evolution history for her folk music since ancient time.As the advancement moving forward generation by generation,her unique folk music have beaten the time and more widely performed due to their cultivation and fertilization right into the soul of Chinese culture.Also,the uniqueness of ethnic cultural background;the ways of performing art;and other special characteristics make the adapted folk music played the vital role of keeping traditional music last longer.So,we will systematically analyze one of most typical regional adapted folk music which originates from Xinjiang Uyghur ethnic group.The main argumentation has three major parts:The first,Brief introduction of Uyghur ethnic group and the adapted music along with the evolution of regional culture;this portion mainly talks about how the traditional music rises from common people's daily life,what are the relations between the adapted music and more general traditional music,how they can mutually affected each other.We will put their relations dedicatedly into the paper during the argumentation.Then we will attempt to clarify the definition of actual adapted music,make sure we target on adapted folk music instead of typical and more general traditional folk music.These will lay down the foundation and point out the direction of next 2 portions.The second,this portion summarizes and enlists some typical Uyghur-styled adapted music like "Qu man di";"Dancing in the Youth";"A Cup of Vintage Wine";"Alamhan";"Half-moon Climbing";"Longing".We will start analyzing the Uyghur-styled adapted folk music from their musical characteristics,literature specialties,and the ways of performing.We will first target on the musical characteristics which including melody,musical mode,musical structure,rhythm,and the beat of music itself,then we will focus on their literature specialties like lyrics and its content want to deliver to us.The third or which is the last portion will more concentrate on the strategies of stage performing.Singing technique,vocal characteristics,pronunciation of each word,rhythm alternation and also how to handling and adjusting the breathing,the processing of melody will also be taken into consideration during this portion.Besides this,we also trying to emphasize the Uyghur-style adapted folk music should evolve from the traditional folk music and also should evolve along with the society moving forward.We should understand the fact and hold the truth that the adapted folk music should feel more comfortable with the modern requirements,and also make them more widely welcomed by modern people.The variety of ways of performing art on the stage and the music styles themselves also need to be adopted in order to become more compatible with current culture environment.As we all see,the adapted music is more common on stage performing and been widely used as examples on vocal pedagogy area.We also present the detailed suggestions and methods of how we can recognize,protect,and adopt then distribute wisely and scientifically these Chinese minority ethnic group original music like Uyghur-style folk music in this portion.The overall reason behind based on helping people figure out better ways of performing these musical jewelries like digging the different singing technique,adding piano instruments,enriching the content,and in the future,more musical styles will be available also,but of course meanwhile,it exposed more serious requirements in front of the singers,composers,they will face much more challenging scenarios of how to maintain the overall integrity of intact music chapters by properly handling newly added performing techniques.At last,we should realize the fact that we would be able to provide some advices of how to make contributions to the advancement of Xinjiang Uyghur adapted music by analyzing the art and aesthetic characteristics through several typical widely performed masterpieces.The analytics also can be referred as the guideline for the helping the overall evolution and inheritance of Chinese ethnic minority folk music.