The Research Of Relationship Between Bai Juyi's Poetry And Buddhist Temple

Since the beginning of twentieth Century,more than 100 years ago,with the modernization of ancient literature research,the academic circles have made fruitful achievements in the study of Bai Juyi,Poetry theory and creation,mainly concentrated in the school note and arrangement,the works of Bai Juyi Bai Juyi's family background and life,Bai Juyi's thought and political attitude and relationship between Bai Juyi and Buddhism.Study on the field more and more broad perspective,more and more innovative research methods are more and more diversified,such as research,comparative research,motif study psychology,linguistics,cultural studies and other methods of intervention,open a broader world for the study of Bai Juyi.The relationship between Bai Juyi and Buddhism has always been a subject of much discussion in the academic circles,and has been a hot issue in the research of Bai Juyi since the 80 s of last century.As a Buddhist temple paper tiger vector material,occupies a very important position in Bai Juyi's poems.This paper is focused on the relationship between Bai Juyi's poetry and Buddhist temple,based on the analysis of their poetry works,explains the relationship between the poetry and Buddhist temple.The thesis is divided into three parts:The first chapter,written by Bai Juyi and the poetry creation in the temple to live,this is the first stage of Bai Juyi's poetry and the relationship between Buddhist temple,from Tang Zhenyuan sixteen years(800 yuan)to nine years(814).During this period,Bai Juyi just put the temple as a sightseeing tour of the scenic spots,and objectively as a poet and a friend of the temple provides dating sites,thus creating some Buddhist poems and his poems.This reflects the influence of Buddhist poetry in general,roughly the same with other scholars of Buddhist poetry.The relationship between poetry and Buddhist temple of Bai Juyi in this period is typically embodied in the Xianyou temple and the creation of "song".The second chapter,Bai Juyi wrote poems in the heart of the temple,his is the second stage of Bai Juyi's poetry and Buddhist relations,from the yuan and nine years(814)to nine years(835).One yuan and nine years(814)the creation of "Yu high temple one hundred and thirty rhyme" marks a shift from Bai Juyi to the temple to shelter habitat heart.Yuan and ten years(815)Bai Juyi was demoted Jiangzhou,he began making friends with the monks in Buddhist temples for material based on and began to frequent,so as to construct the extremely complex Buddhist belief system.During this period,the Buddhist temple scenery poetry,chanting poetry,his poems have a strong color of buddhism.During this period Bai Juyi also began to focus on the practice of Buddhism,Buddhist temple as the center to carry out a series of practice,where the holy one practice,and formed its own unique concept of author.The third chapter,Bai Juyi and the Buddhist temple of the integration of poetry,which is the third phase of the relationship between the poetry of the Buddhist temple and the Buddhist temple,from the big and the nine year(835)to Huichang for six years(846).Bai Juyi to the Buddhist practice of increasingly frequent and in-depth,specific performance is the unity of knowledge and practice to abstain,do good deeds,stored in collection of Buddhist temples;mindfulness refers to Bai Juyi's linger to Xiangshan Xiangshan temple,Buddhist "claimed that this clearly reflects the personal choice he converted to buddhism.The progressive relationship between Bai Juyi's poetry and Buddhist temple which reflects his Buddhism from the shallower to the deeper thought and behavior and gradually change the gradual process of practice.The relationship between Bai Juyi's poetry and the temple of this point of view,based on previous achievements on the more refined,more in-depth discussion of the relationship between Bai Juyi and Buddhism,hoping to provide some help to study the relationship between Bai Juyi and Buddhism,give some enlightenment.