| With the advancement and development of the historical process, the spatial form of society is constantly changing. The spatial evolution of urban landscape is not only the result of social industrial development, scientific and technological progress, but also related to people's life, is a key factor affecting people's cognition and behavior.Therefore, the city and urban space has become an important topic that can not be ignored in the social, political and cultural fields. In the process of recording the urban landscape ecology, the media works represented by the city film also reproduce the complex power relations in the urban space production process and the discourse construction around the urban space. Urban cinema is also an important wing in the film ecology because of its close relationship with the present society.This paper takes the whole film works of Wang Xiaoshuai, one of the representatives of the sixth generation as the object of analysis, and analyzes the urban landscape and the reproduction and construction of the space culture in Wang Xiaoshuai's works with the theory of space theory. In the process of planning,demolition and reconstruction of spatial landscape, the construction and reproduction of urban space is not a combination of simple physical space and planning. Tension between the struggle and compromise. In addition, in the process, the living space and spiritual space of the figure groups in the city are also in the physical space of the continuous compression and expansion of confusion and discomfort, which lead to contradictions, anxiety and other mental state and physical behavior. This paper analyzes the records and reproduction of various spatial forms of urban films with different groups as the aggregation, and analyzes the whole view of the urban spatial landscape under the rapid development of society, thus revealing the different urban groups in the society or neglected or obscured social problems. |
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