An Analysis Of The Relationship Between Confucianism And Landscape Painting In Xu Fuguan's "Chinese Art Spirit"

In the book "Chinese Art Spirit",Mr.Xu Fuguan summed up the Chinese art spirit into two typical types represented by Confucian Confucius and Taoist Zhuangzi.The whole book can be said to be a discussion of the relationship between Zhuangzi philosophy and the art of Chinese landscape painting.Confucius art spirit is mainly reflected in the music,and Zhuangzi art spirit is really pure Chinese art,Chinese landscape painting is Zhuangzi artistic spirit of the best implementation.Not only is Mr.Xu Fuguan,in the past on the study of Chinese painting,most people from the perspective of Taoism and Zen Buddhism,and rarely mentioned Confucianism.However,in China,the influence of Confucianism is very comprehensive.Since the Qin and Han Dynasties,Confucianism has always been in the orthodox and dominant position of Chinese culture.The value concept of Confucianism has a far-reaching influence on the political economy,ethical philosophy,literature and art of the Chinese nation,and as the most able to reflect the spirit of the Chinese culture of Chinese painting,for a long time will inevitably be deeply infiltrated by Confucianism.This paper is intended to the Ming Dynasty painter Shen Zhou's painting as the starting point and analysis platform.Through these five parts,life and living,heaven and man,plain and plain,vast and small,lofty and ordinary,carding and exploring the Confucian factors in Shen Zhou's works.Summed up the deep sense of Confucianism behind Shen Zhou 's painting,and then re-examine the embodiment and expression of Confucianism in Chinese landscape painting.In fact,the Chinese painting in the emphasis on the tradition of character,is based on self-cultivation of the core of Confucianism.It can be said that Confucian self-cultivation is the representative of Chinese artistic spirit.This self-cultivation concept can be in the history of Chinese painting a lot of landscape painting works are fully reflected.It is a unique new way to appreciate Chinese painting from the traditional Confucian perspective.This not only helps to clearly understand the great significance of Confucianism in Chinese traditional art,but also has a positive effect on the re-understanding of traditional culture and the construction of contemporary culture.