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Xinjiang Kazak Carla Study Angle Dance

Posted on:2018-12-02Degree:MasterType:Thesis
Country:ChinaCandidate:Y L ShaoFull Text:PDF
GTID:2335330536465230Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
“Cara Leha angle” is the Xinjiang Kazak folk dance is the most representative,the most popular dance,“Cara Leha angle”meaning“black cursory”,initially a Kazakh people used to imitate a horse walking,running,jumping,and attitude of the simple physical dance,became synonymous with the Kazakh Folk Dance,performers often life of labor,with strong characteristics of the various action integration into the dance,“Cara Leha angle”dance content more rich and varied.Based on the previous research results and the author based on the spot investigation,comprehensive use of dance,ethnomusicology,music history,anthropology discipline theory and method,the Kazakh Dance“Cara Leha angle” made a comprehensive research and analysis,and puts forward some new ideas.This thesis includes six main parts:The first part is the introduction,on the basis of summarizing “Cara Leha angle”research results based on,on the basis of the field investigation data proposed the research perspectives and research methods.The second part outlines and “Cara Leha angle” related Xinjiang geography,ecology,national constitute,spiritual and cultural background,and the formation of the Kazak ethnic,geographical and cultural characteristics made certain analysis.The third part to the author personally jump in the form of “Cara Leha angle”,from “Cara Leha angle” dance movements,dance movements are described,several aspects of the dance morphology of “Cara Leha angle” do analysis of ontology.And in the survey found in the actual shadow dance is another manifestation of “Cara Leha angle” are analyzed.The fourth part,the use of ethnomusicology theory and methods,focusing on the multicultural fusion and unite the national spirit of the cultural connotation of the “Cara Leha angle”;from the aspect of ethnic identity,communicative function,educational function,catharsis emotion,entertainment,fitness analysis the “Cara Leha angle” of cultural function.The fifth part combined with the inheritor of the field research the actual analysis of the “Cara Leha angle” dance for the protection and inheritance of the status quo and change the inheritance concept,the optimization of spatial inheritance,dance and performed a development from the proposed methods of the protection and inheritance of the “Cara Leha angle”.The sixth part is the conclusion that “Cara Leha angle” dance is the grassland culture representative,is the history and culture of the ethnic groups in Kazakhstan explicit,on behalf of the Kazak nationality cohesion centripetal force,the Kazak is its important significance.Was included in the non-material cultural heritage,“Cara Leha angle” will also be the protection and inheritance of further.
Keywords/Search Tags:Xinjiang, Kazak, “Cara Leha angle”, Dance, Music culture
PDF Full Text Request
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