A Study Of Xinjiang's Classical Paintings Of Ethnic Minorities Since The Founding Of The People's Republic Of China

On the minority theme painting creation and literary research content has been the only interception of It is often seen,but the Xinjiang minority area of the classic works of appreciation and analysis,had a lot of scholars for the study of Xinjiang minority theme creation texts have different opinions and arguments,but so far there is no research on a set of system for since the founding of new China,this paper focuses on the analysis of these representative paintings and the characteristics of the times.This paper will analyze the practical significance of minority theme oil painting to a new vision and thinking mode,through the analysis of the classic works to explain the cultural connotation under the background of the times,and the performance and the themes of ethnic minority art works,to convey a national culture to the world,spread the spirit of a nation.Based on the strong ethnic cultural foundation and background,analysis of various problems in the process of development of Xinjiang art history and existence,and put forward to discuss the scheme,which is of practical significance to promote the development of ethnic art career.In this paper,the theme of the Xinjiang minority oil paintings as the main object of study,a total of five chapters are discussed.The first chapter is the introduction,which mainly introduces the research background,research purpose and significance,research methods and innovation.The second chapter introduces the development of the ethnic minorities in the mainland and Xinjiang in the historical process,which is based on the development of Xinjiang minority,divided into two periods.The third section is the key part of the full text,a comprehensive analysis of the Xinjiang and the mainland of the national theme of the representative of the painter and the appreciation of the works,their art form and style of comparative analysis.The fourth chapter combs the limitations and singleness of the creation of the theme of ethnic minorities in Xinjiang,it should be in the face of the nation,the creation of a variety of national theme oil painting.The fifth chapter analyzes the regional and national value of Xinjiang,the artists should learn from the excellent cultural tradition,the way of inheritance of cultural value.Finally,the summary and analysis of the full text.