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The Pastel Figures Of Research And Creative Experience

Posted on:2018-07-27Degree:MasterType:Thesis
Country:ChinaCandidate:M TanFull Text:PDF
GTID:2335330536970747Subject:Painting creation and theory
Abstract/Summary:PDF Full Text Request
Pastel as an art theory of western painting,through the change of painting skills from monochrome to trichromatism and the delicate Portrait Pastel,painted by impressionism to a shinning age of pastel and make it developed pluralistic.Figures Pastel introduction to China only for 80 years as a major creative system of Pastel,and the result of difficult to developing in China,people's sense of appreciation of the beauty is changing the development of society.The unique effect with the instrument and skills of pastel are get to rich,the convenience painting tools and procedure,made our native artist acception and developing the art theory,renew and expand it with add to appreciation of the beauty of Chinese people.Chinese Artist creative to the figures of pastel which full of Chinese conception:and pour it into the realistic skills of western painting.In the one hand,adopt the strong-point like the composition,sculpt and color;on the other hand,it includes the characteristic of elegance in Chinese Painting modem Pastel Artist presenting the rich design and theme;the medium and material of painting tools,full of compatibly,with the characteristic between the variety of painting.As a result,The East Pastel figures painting system are mixed natural between west.We believed that Chinese pastel Artist would make great efforts and mix of the new quality pastel figures painting.This kind of mixture,will become the communication and complementary between China and western countries.With the higher development of society,variety of art get more crash and mix together in rand of multicultural in the world,make cultural communication more frequently.Actually,China has the tolerant politic environment.The government and citizen look upon and supports for art career to offer the good chance and challenge to the development of pastel figures paintings.Pastel figures painting is development was almost intermit in China but arising accelerated later.Many of artist join into creative of pastel figures painting,lacks of supports of theory research course of the shortage of practice and theory;Under the background of industry developing accelerate,the new material and skills appears and shocked by variety art ideas,parts of painters ignored the unique art characteristic in pastel and lacks of the language for pastel figures painting;Some of painters enthralment to research the painting tools and skills and ignored to improve theirself-training result in shortage of personal art accomplishment and hard to producing their unique personal art style;Some of painters not follow the creative rules of “Art Source of Life”and have not deep thought of life that their works lack of profundity significance.Pastel figures painting of the whole development as the stage of start in China and full of lack theory research trend similitude,ontology language misery of problems.Nowadays,we need to analyze pastel figures painters of personal characteristic to research the ontology language of pastel figures painting as well as the accept level and require of Chinese people for pastel figures painting and combined to pastel figures painting summery of practice research of author.Trying to analyzing the rules of pastel figures painting creation,proof the art valve of pastel figures painting to announced the value of exist in pastel figures painting to make some inspiration for pastel figures painting creation in the age of China.
Keywords/Search Tags:Pastel figures painting, Modem, Ontology language, Creative practice
PDF Full Text Request
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