Research On Bannermen Writing Of Mu Rugai’s Novels

This paper mainly analyzes the Mu Rugai’s novels of Manchu writing about creative motivation,subject intention,characterization,and artistic characteristics.This paper argues that the paranoid adherent complex and Manchu identity are the inner motivations of his writing.The prevalence of newspaper literature provided the objective conditions for his expression.Mu Rugai’s novels writing showed a beggar on Manchu bannermen’s attention,the abidance to the moral of ethics and thinking on the relation between Manchu and Han in different period.Mu Rugai pay attention to the bottom banner underlying survival as they live to expressing their personality and dignity.The adherence to ethics is closely related to the political tendency of the Qing government.Thinking about the relation between Manchu and Han in late Qing and early Min embodies the thought of writer that “Manchu and Han is a family”,But maintain the rights and interests of Manchu as the primary principle exposed the idea of narrow national consciousness.Mu Rugai’s novels mainly includes the image of Manchu pioneers,Manchu intellectuals and bottom banners.Mu Rugai always with a strong,narrow national consciousness.Accordingly,the Manchu rulers tends to be perfect;the Manchu intellectuals frustrated and down,showing a loss of mood;the bottom banner people who were marginalized although the predicament of life but mostly maintain self-esteem spirit quality.His novels’ s Manchu writing reflect its unique artistic characteristics.Based on his novel narrative skill on the performance of authenticity.The long historical novel of < Fu Zhao entrepreneurial > based on <Qing memoir> and much history.Through the historical retell and quotation realized the different intertextual features.In the intertextuality between history and reality,he completed the reconstruction of hero in the early Qing Dynasty.