Creative Practice Of Digital Paint Series Of Everything Lives

The application of new type medium is the inevitable tendency of era development. The digital paints appears and has a rapid development. The development time of digital paint is only half a century. The excellent digital paints at home is little which is just the copy and disposal of image.The digital painter is addicted to the software and special effects of digital technique. It is lacking the art’s taste and art’s precipitation.This text adopts two research methods, creative practice primarily and literature research for complement, in order to explain the creation of series of works of digital painting Everything Lives from multi-dimension, and the contents are involved in various methods and experience during the authors create. The first is the topic and conception of the creation, and the theme comes that slaughter events of animals happen frequently, Everything Lives is the incantation for Buddha to wash the sins and lost disciplines. In the painting works Everything Lives, the fates among people and animal, nature need people to observe, meditate, and reflect on people’s actions on animals and nature. The second is conception and convey of paint creation. The inner thought transforms the material. The picture are shown to audiences applied the art language and formal beauty theory by using the representation of super-realism. The last is the reflection in the process of art practice. This reflection includes two aspects. One aspect is the basic principles of digital paint are the symbiosis with the traditional paint. The digital paints have to rely on the essence of culture and technique of traditional paints. The other aspect is that visual effect and works content are still the soul of digital paints. Only concentrate on the technique, the art works is just like the water without a source or a tree without roots.