Research On Nationalization Creation Development Of Western Instruments And Piano Music

Long-term since,our country music academic circles at the mention of "Chinese style piano",most people in the subconscious will think piano music "Chinese style" is the "performance music popular or traditional Chinese style" piano music works.In fact,this view is narrow.It is pointed out that only "Chinese style piano performance" nationalization of music aesthetic style,but did not reveal the composer in the mastery in piano music creation,western music creation techniques.Since the piano is a widely used instrument,Chinese piano music from the imitation of the western music,rhythm and melody structure,mode rules turning method,creative skills and a series of law on the basis of the paradigm,then it must use the localization of music vocabulary and creative thinking based on music aesthetic habit of transforming the western paradigm of law and finance,in show "music popular or traditional Chinese style",also showed a "match well of Chinese and western" special style.That is to say,the connotation of the piano music "Chinese style" should be made up of two basic aspects,namely,the piano music of "music popular or traditional Chinese style" and "to achieve mastery through a comprehensive study of western music techniques and style" show "match well of Chinese and western" after the special style.Because of this,in order to more comprehensive interpretation of the piano "Chinese style" this concept,the author chose the subject,the "quasi depends on the specific" style of Chinese piano music PuLi analysis,to explore this kind of piano music,western music creation skills will converge creative ideas and experiences,but also showed China's contemporary composer of piano music creation of Chinese and western thinking and technique of great wisdom.The research of this topic is divided into six parts.The first part is the introduction,introduced this subject direction of the selected topic background,research significance,relevant academic research literature accumulation,research trends,research methods,research contents and innovation of the necessary information;The second part,from the perspective of music history,reviews the birth of "Chinese style piano music".From the Russian American pianist tcherepnin solicitation "Chinese piano works" events in China and tcherepnin "Chinese piano works of creation as the breakthrough point,review under the influence of tcherepnin,piano" Chinese style "was born.Research perspective of the third part,in the second part,from the beginning to shine: 1949 years ago,the Chinese style of piano music creation ","flowers: 1950-1965 style of Chinese piano music creation","innovation:1966-1979 style of Chinese piano music creation","embracing the world: in 1980,after the style of Chinese piano music creation" this a few aspects,to review the piano music "Chinese style" before and after the founding of the birth and development process.The fourth part,based on specific PuLi,from "melody structure of match well of Chinese and western","tonal color things reflect","rhythm,France is the inheritance,innovation","the integration of Chinese and western harmony techniques in","peaks and valleys of texture structure looks" these five aspects to demonstrate the creation of piano music "Chinese style" experience;The fifth part,in the first part of the research results,on the basis of summarizing "style of Chinese piano music" the connotation and denotation and its creative thinking and aesthetic style,and to prospect for the development of Chinese piano music style.The sixth part is divided into the conclusion,summarizes the full text,and summarizes the core viewpoint.