The Study Of Liu Tianhua's Musical Aesthetic Thought

Liu Tianhua is one of the outstanding national musicians in the history of modern music in our country.He has worked hard for the improvement of national music throughout his life,and created a new road for the integration of Chinese and western music for the development of national music in China.There is no need to say much about the profound and valuable value of music aesthetics.This article takes Mr.Liu Tianhua as a few articles as a breakthrough point,and combines his life experience to explore between the lines,trying to sum up Liu Tianhua's musical aesthetic thought.In this article,there are three chapters.The first chapter briefly reviews the study and practice of Liu Tianhua's music art from small to large,and outlines the road to the formation of his musical aesthetic thought.The second chapter mainly discusses the "conflict" part of Liu Tianhua's musical aesthetic thought,including the meaning of conflict,the process of conflict,and the relationship with the conflict related style,the perception model and the relationship between emotion and so on.The third chapter mainly takes "style" as the core,discusses the style of Liu Tianhua's music,and the definition and significance of Liu Tianhua's musical style,and discusses the change,stability and limiting factors of the style.Finally,this paper draws a conclusion as follows: Liu Tianhua's musical aesthetic thought is centered on "conflict" and "style",the style of music is composed of the inner elements of music,the premise of the music conflict,the music conflict is the special embodiment of the music style,and the necessary prerequisite for the music to produce emotional experience.Liu Tianhua,under the support of such a musical aesthetic thought,practiced the improvement of his national music,which he devoted his whole life to.