The Research Of Yang Jiabu Woodcard Picture Of Visual Language

Yangjiabu woodcut New Year painting is highly representative of the folk art of the northern region.It began in the Ming Dynasty,florishing in the Qing Dynasty,and in the past years of innovation in the creation of artists,constantly innovate its product style,Weifang Yang Jiabu,Tianjin Yangliuqing,Suzhou Taohuawu,have a title that the middle of the Qing Dynasty enjoy the "three major national paintings".And in 2005,was included in the first "world intangible cultural heritage",and during its formation and development,gradually formed its own artistic characteristics,which with a high appreciation and culture.Based on the analysis of the visual language of Yangjiabu woodcut New Year paintings(including composition,color and graphics),this paper analyzes the artistic characteristics of Yangjiabu woodcut New Year paintings as the starting point and studies the characteristics of various forms of language in it.Combined with the actually case of analysis Yangjiabu woodcut New Year paintings in the contemporary design and application of the feasibility,and on this basis to try to create,for Yangjiabu woodblock New Year how to return to contemporary life,for the city loved by the visual exploration Research,try to explore for its heritage and development.The paper hopes that through the study of the visual language of Yangjiabu woodcut New Year paintings,Yangjiabu woodcut New Year paintings are reintegrated into people's lives in a way that conforms to the humanistic feelings and conforms to the visual expression of contemporary aesthetic taste.Help Yangjiabu woodcut New Year paintings involved in the contemporary design,so that China's contemporary design more local characteristics.Therefore,the paper will be Yangjiabu woodblock New Year's composition,color and graphics to split the three aspects of targeted research,Yangjiabu woodcut New Year in the visual characteristics of summed up,and strive to provide nutrients for contemporary design.