Music Analysis Of Five Xinjiang Style Guzheng Works

As an ancient Chinese plucked instrument,Guzheng formed a zither art with Chinese characteristics and national culture in the blending of ethnic cultures for thousands of years,spreading throughout the land of Huaxia.Judging from the development of Guzheng works,the development of Guzheng works reflects the cultural essence of human civilization.The inheritance and development of Guzheng's works have been replaced by successive dynasties.Due to the influence of the humanities and the region,it has formed a unique regional style and traditional school.For example,the schools that are more widely circulated in the contemporary era include “Henan Zheng School”,“Zhejiang Zheng School”,“Shandong Zheng School”,“Hakka School Zheng School”,“Zhaozhou Zheng School”,“Neimeng Zheng School” and so on.The representative guzheng works of various traditional schools are: Henan Shigeng "Suwu Sixiang","Chen Xing Yuan and Fan","Chen Xing Yuan","Chilling Competition for Plum Blossom","Swing" and other works;Shandong Zheng Music "Hong Yan Shu","Twirling the Yellow Emperor","Wenji Sihan","Hidden Public Sigh","Hongyan Nightingale" and other works;Chaozhou Zheng Music "Pink Lotus","The Raven Duck","Feng Qi Huang","The Blood Splatter" "Haihuahua" and "Illumination on the Brilliant" and other works;Hakka zither music "Liu Shui Lian","The Emerald Dengtan","The Banana Window Night Rain","Single Head Flower Arrangement","Snow Geese Flying South" and other works;Zhejiang Zheng Music "Monthly "Children High","Land Moon Light," "Four Happiness","Haiqing Nahe","Pudan Curse" and other works;Shaanxi Zheng School "Five Clouds","Plum Blossom","Courtesy "Mother","Little Boat" and other works;Neimeng Zheng "Swinging Asr","Abdullah Asr","Babre Asr","Gilburn Ache","Guri Chagano "Sir" and other works.The genre works of these genres represent the maturity of the early genre school music works.Since the 1950 s,with the establishment of New China,the national music culture has moved toward the art hall of professional music education,which has brought the inheritance and development of Guzheng art to a new level.A large number of outstanding guzheng performers and a large number of outstanding guzheng works One after another emerged.The outstanding Guzheng works such as "Textile Busy","Qingfeng Year" and "Niu Yuan" created by the older generation guzheng performers laid a solid theoretical and practical foundation for the composer's deeper zither creation.In the 60 s and 70 s of the last century,a large number of original works or adaptations of real life and folk music culture were created,such as “Typhoon Warfare,” “Happiness Channel,” and “The Heroes vs.Dadu River”.This type of Guzheng works not only broke the traditional zither playing skills,but also promoted the creation techniques of Guzheng works,which provided a theoretical basis for the creation of Guzheng works.In the 1980 s,a large number of guzheng performers combined with modern composition techniques to create a large number of guzheng works.A large number of professional composers devoted themselves to the creation of guzheng works,which led to an unprecedented increase in the number of guzheng works in this period,and their significance and influence.Its abyss.For example,Qin Sang Qu Qu created by Zhou Yanjia not only inherited and carried forward the Shaanxi Qin Zheng school's performance art tradition,but also created a new era of Shaanxi Zheng School's Guzheng works.Li Mei,Zhou Ji,and Shao Guangyin jointly created a tribute featuring Muqam elements with the characteristics of Xinjiang's traditional style,Muqam Disorder and Dance,which not only broke the traditional zither playing.Way,but also broke the tradition of the traditional guzheng.The famous guzheng performer and educator Mr.Cao Zheng listened to Ms.Li Mei's excitement at the “ART Cup China International Instrument Guzheng Competition” when he performed the song: “Your exploration has created the western school of Guzheng”.Therefore,from the perspective of the spread and development of Guzheng works,Guzheng works also have profound theoretical research significance and achievements.The development of Guzheng works is not only a product of the times,but also a sign of progress in the field of national music culture creation in China.As far as “Mukam's Unraveling and Dance” is concerned,the creation of this work allows the composer to present works that use modern composing techniques combined with zither techniques.The development of guzheng works is not limited to the creation of Guzheng heritage performers..Created a new trend for composers to the development of national music creation.The author found that most of the researchers prefer to study the characteristics of guzheng styles,representative tracks,and performance techniques related to Guzheng music style.There are relatively few literatures on music analysis of Xinjiang style zither music works.At present,the author collects and organizes widely-accepted six Guzheng adaptations of the national music culture in Xinjiang and Xinjiang style music,and works “Mukam's Disorder and Dance”,“The River Erie”,and “Allah”.Mu Gubara,"Western Caprice","Quotations","The West's Theme".Related papers include Li Junru's Four Analysis of Guzheng Works with Western Style,Chen Yingdan's Analysis of the Xinjiang Style Characteristics and Performance Techniques of Creating the Zheng Music,Zhang Junyi's Exploration of the Western Theory of the Zhengshi Rhapsody,and Lu Shasha's Wang Jianmin's Guzheng Works.Music Color Analysis,Sun Yi.Wang Jianmin's Guzheng Works Study.Most of the above papers are biased towards the discussion of playing style-level performance techniques.There is relatively little research on Xinjiang style GuZheng works creation techniques.Through the collection of relevant literature and documents,it can be seen that most of the researchers are biased towards the study of genre style characteristics,representative repertoires,and techniques related to Guzheng music style.There are relatively few literatures on music analysis of Xinjiang style zither music works.At present,the author collects and organizes widely-acclaimed Guzheng works based on ethnic music culture and Xinjiang style music characteristics in Xinjiang,which are adapted works and works “Muqam unmarried order and dance music” and “Erie riverside”.,"Alma Gulibala","Western Caprice","Quotations","Cream of the Western theme." Related papers include Li Junru's Four Analysis of Guzheng Works with Western Style,Chen Yingdan's Exploration and Analysis of the Xinjiang Style Characteristics and Performance Techniques of Creating the Zheng Music,Zhang Junyi's Exploration of the Western Theory of the Zhengshi Rhapsody,and Lu Shasha's Wang Jianmin's Guzheng Works.Music Color Analysis and Sun Yi's Study of Wang Jianmin's Guzheng Works,etc.Most of the above papers tend to discuss the performance style and performance techniques.There are relatively few researches on the creation techniques of Xinjiang style guzheng works and music ontology analysis.This article is based on the collection of five Xinjiang-style guzheng works: Muqam Unchained and Dance,Erie Riverside,Alma Gulibala,Western Caprice,and Western Theme Rhapsody.The analysis and study of the creation of music ontologies.This article takes five Xinjiang-style guzheng works collected by the author as research objects,and elaborates on the three aspects of the creation,melody characteristics and music ontology analysis of Xinjiang style guzheng works.The first chapter briefly discusses five music styles of Xinjiang.The second chapter discusses the main features of Xinjiang music style guzheng works.The third chapter demonstrates the music ontology of five guzheng works of Xinjiang music style.Through the study and exploration of creative techniques and theories,and the summarization of zither playing experience over the years,the author has tried to make a contribution to the dissemination of Xinjiang style zither music and its creation.It is hoped that this thesis will provide a certain theoretical basis and creative thinking for the creation of Guzheng works of later Xinjiang music style.