The Experimental Application Of The Expression Language Of The Wes Anderson Classic Film Analysis Space Flattening Language

With the constant renewal acknowledge that the public holds toward the Art Field,comes the inter-infiltration of each category in art which breaks the limitation in between.Research in 'Transboundary' had also been deepening.Film as a category differs from architecture entirely,though had found commonality in its visualization.The narratives of Architecture included in the narrative language of Film.Architecture's expressional language also has cinematic-quality.Languages of Film and Architecture are replacing with one another,the logic of Film is opening up new territories for Architectural Space Design and Landscape Space Design.Regarding the cinematic-quality,there are more research discuss about the narrative construction of space and time,however the complanate expressional language which apply to Film is yet lacking attention.Based on this phenomenon,this article is established on the complanate expressional language of Space,starts from the five classic films directed by Wes Anderson then to analyze the complanate expressional language on composition,space,color,light&shadow,and attempt to analyze the expressional language's metaphor-auxiliary towards the narrativity of space.There are three sections of this article:the first part will be an overview on Director Wes Anderson,second part is the analyzation of complanate expressional language and relevant cases on architecture,third part will be the practice and exploration on the 'Complanate Language' of architecture space.In the section of Theory,firstly to understand the basis under Wes Anderson's cinematic language through his background,creative pattern and style,then to orderly analyze the expressional language of his five films,study the exploitativeness on its complanate visual essences applying in reality space.The practice part will separately explain the experimental operation design under the complanate expression in architecture from languages of composition,space,figure,color,light&shadow based on the conclusion that comes from theoretical analysis.Which give expression to,that is,under what utilization of film's complanate language will result in the same visual effect in stereoscopic architecture.The article ends with a summary of the theory from the entire study,conclude on the significance of the study on complanate language in space,and the process of experimental design,with the exploration on its development prospect,in hope of providing certain creative meaning to the expressiveness of space design.