On The Relationship Between The Performances In The Dramas Of Small Theaters In Mainland China

As one of the main types of Theater, Experimental Theater, in our country occupies the important position in the development of Theater. Especially since the reform and open policy issued, as the first Experimental Theater "absolute signal" played in Beijing people theater stage, China's Experimental Theater has been more than 30 years. From the beginning each year only had one play, or even a few years just have one, a year can now have dozens of different styles of Experimental Theater plays all over the country. At the same time, Experimental Theater plays a unique watch-act relationship. Through the participation of intervention, the audience not only influence the actor, also affect the creation of the script. From the performance point of view, the comedian is facing the audience and stage; Actors in his role and personal capacity of communicating with the audience. In theater space, actor and the audience interact with each other, each are fully aware of each other at close range. In this paper, through understanding of contemporary Experimental Theater of the mainland of China and explore, tentatively puts forward the concept of Experimental Theater, and in this concept throughout the entire article. To explore the shape of watch-act relationship in Experimental Theater internal mechanism, and reflections on this drama performance relationship. This paper uses the literature method, comparison method, text analysis, and combining with participatory observation of Experimental Theater show relationship between system and deeper analysis. This paper consists of introduction and three chapters. The introduction of the main research of this topic origin, research significance, generalizes the core concepts and research ideas and methods. First chapter for the "shape", combining with the concrete case of drama, the drama performance is an important part of relationship: theater stage, the audience, the audience involvement, Experimental Theater show shape analysis. The second chapter is "internal mechanism", through specific space of drama, stage treatment and theatrical performances of exploration, points out that the Experimental Theater drama performance relationship is essentially derived from the real life is different from real life of a kind of state, is one of the creators to pursue and create harmonious unified communications field. The third chapter is " enlightenment", Through the innovation of the concept of drama and the expansion of the performance space, for the development of drama development to a new way of performance and the infinite possibility.