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Zou Cheng's "Four Mountain Cliffs Carving" Calligraphy Research

Posted on:2017-03-17Degree:MasterType:Thesis
Country:ChinaCandidate:Q N YanFull Text:PDF
GTID:2355330512467935Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The Wei, Jin, northern and Southern Dynasties, is the most turbulent period in our society, Ethnic minorities have entered the Central Plains, in the war at the same time, it has brought a different ethnic minority cultures, This period has also become a major cultural integration in the history of our country, in addition to Buddhism also at this time to get a quick hair Since the late Han Dynasty, official script began to change the script, in calligraphy in the transitional phase, the works of many strokes hybridity, Lishu both seal script, script writing works everywhere, which became Wei Jin Southern and Northern Dynasties calligraphy history on a distinctive features. To the North Dynasty, the development of Kai SHU has been basically mature and in the society at that time has been widely used, resulting in a large quantity of excellent works of the regular script, most notably, the Northern Wei Emperor Xiaowen moved the capital to Luoyang after, in Luoyang, Longmen Grottoes of the book of statues in mind the calligraphy will become this period boutique. But Buddhism flourished in the at the same time it appears the two time scale greatly destroy Buddha movement, to the development of Buddhism brought tremendous impact, under such a background, part of the monks have been in order to protect Buddhism Classics not as had been destroyed, the beginning of the "law of motion", "four mountain cliff carved by" is formed under this background. But "four mountain cliff carved by" Dan An Daoyi in were carved by, and did not use was growing mature regular script, but the use of the Han Lishu pen, script writing concurrently, additional monarch new size, create unique attached to the regular script to book engraved, become the calligraphy history miracle. A large number of calligraphers, textual criticism, aesthetics, have to study and research.This paper the definition and development of cliff stele was summarized in this paper. On the "four mountain cliff carved by" social causes, Buddhism, geographic location, etc., are discussed, of the ancients of "four mountain cliff carved by" comments and positioning. "Four mountain cliff carved by" the main content, the moment the position, as well as the current situation is summarized, and focuses on the "four mountains grinding stone inscription of the artistic style," four mountain cliff moment by "the four stone, separate out the subtleties of, the calligraphic characteristics, with the pen method, modeling rules, composition of cloth white to carry on the elaboration, found around minute differences between, find their common characteristics. At the same time, "the four mountain cliff carved by" and was representative of the regular script, Longmen Grottoes statues remember writing comparative study, inquiry "four mountain cliff carved by" characteristics, and the reasons behind the innovation. After detailed and comprehensive analysis of its artistic style, this article discusses and explores its unique position in the history of calligraphy, and discusses its significance in the history of calligraphy.Yi. Study of its contemporary calligraphy learning bangshu important reference, we studied the calligraphy in the new period of social environment to play the positive significance. From the "four mountain cliff carved by" calligraphy, get to school books in learning how to handle the copy of the ancients, and combination between the age of innovation relationship. The "four mountain cliff carved by" in addition to great influence on calligraphy, also has a very important significance for the research of aesthetics. "Four mountain cliff carved the" inscribed in the Northern Qi Dynasty, advocating the official script. During this period the calligraphy appeared revivalism. This is also the "cliff carved by" regular script attached to one of the reasons, also artists of this period in the creation realized the artistic consciousness, namely, pay more attention to calligraphy, the performance of the calligraphers personal spiritual world. Old, Zhuang Zhixue in during this period has also been great development, "four mountain cliff carved by" fully reflected his debut "simple" aesthetics. At the same time, Dan an Dao-Yi were and Buddhist monks, of Buddhism has a very deep understanding, in writing, the natural will Buddhist Zen into calligraphy works in, reflect the Buddhism in lots of aesthetic thoughts.
Keywords/Search Tags:four mountain cliff carved by, background, artistic style, calligraphy status, aesthetic value
PDF Full Text Request
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