On An Interventional Attempt Of Contemporary Printmaking Creation

Today,the art is diverse and rapid development,the engraving is one of many art media,presenting an unprecedented flowery and complex appearance.Looking back at the long history of art,we find that there may be few prints,but each of them is vivid and powerful.In the near future,the original "print" and over time the self,or as once again and again is today's every print practitioners must face.Engraving depth "look back" Chinese art history,research development rule,based on "classical" woodcut printmaking and concise Chinese traditional aesthetic characteristics and spirit connotation,draw nutrition from the classical is the important way of contemporary prints,is also the consensus of many print.Today's "printman" studies the art history of engraving,promoting engraving and writing.Contemporary printmaking how to inherit the national art essence,prints the light of how to recreate history has become an important proposition,"prints" the art of a new chapter was written.This article aims to form and the contemporary printmaking from contemporary printmaking creation according to the current situation and problems of using the "back" in traditional Chinese woodcut printmaking ontology and concise inner aesthetic regularity of Chinese traditional painting art and spirit connotation,carding the history of prints related literature,summarizes the evolution of the traditional prints in development characteristics,combined with their own creative practice,demonstrates the necessity of reference to traditional research.Explore a kind of contemporary engraving method which is based on traditional and active development.Introduces traditional Chinese print art,the possibility of development of contemporary printmaking creation,for the study of inheritance of traditional frame by contemporary printmaking creation,promote prints again success help print art reference and promoting effect.Through research,combing the development of traditional printmaking evolution characteristics,summarizes the aesthetic rule of Chinese traditional art through engravings and spirit connotation,on the basis of self learning and thinking,discusses the importance of traditional connotation in today.Explore from traditional,expressing ethnic feelings,accurate in the perspective of contemporary prints,widen the path of contemporary prints,strive to in the study and engraving prints to carry forward the Chinese style,advocating contribute the cultural confidence.