From The "demon File" To The "light Of Women" - The Study Of The Female Poetry Of The Pu Yu Society Under The Changes Of Modern Society

Suzhou Pingtan is an old and elegant rap art.Since modern times,Suzhou Pingta n permeated into Jiangnan society deeply for its culture connotation of suiting both th e refined and the common people,became an important combination in Jiangnan peop le’s daily life.In the early year of the republic of china,affected by women liberation thought,professional women Tanci group formulated gradually,broke sex pattern of men acco unts leading position in Pintan performance market,storytelling disputes with combin ation of Pintan between men and women generated some effects in the society at that t ime.In 1930 s,women artists established industry organization Puyu club for breaking men artists in Guangyu club monopoly storytelling industry.Women artists for maki ng living and under promotion of some men artists,the made equal occupation betwee n men and women displayed battle with Guangyu club,and finally gained equal right of occupation.With shanghai became “lonely island’,prosperity of entertainment industry and public consumption demand within colony made Puyu club welcomed golden time of development.During the process of women artists melt into public culture,their socie ty participation,emotional struggle even ups and downs of destiny made them became concentration of public entertainment,their positioning to self identity and external s haping to their image also reflected changes of history culture of Jiangnan society at t hat term.After establishment of new china,new regime has attention to shape social imag e of “new women”,but women artist who walk out from Puyu club also seek for new self identification in new society with endeavor.During the process of individual to c ollection,many models of political identity wiped their most perceptual and vivid app earance during the Puyu club term,this also led to a lack of women trait in Pingtan art performance for a long time.