The Traditional Non-stage And Modern Stage Performance Of The Tujia Enshi Yangqin

Tujia Anshi Dulcimer as an important part of the Northwest Hubei opera,it has rich singing,beautiful melody,long history,and it is known for elegant music.It is a form of folk art and mainly for the literati Ascendant entertained in the history.The most common form is three to five friends,perform in the temple or elegant set,singer sit in the middle,with a Dulcimer infront,other instruments on both sides,Erhu,Jinghu,Sanxian,pipa,yueqin,wanqin,drum board,etc.,Dulcimer not only play the roal of command,but also the main instrument.Therefore,we used to call Yang Dulcimer as "ZuoTongzi".As Enshi Dulcimer has always been known for elegance,it did not form a professional class club in the history,nor as a means of living for the professional artists,Enshi Dulcimer singing have three rules of performance,that is,no take the teahouse,no opening performance,there also has an old saying "singing at 5 o'clock,if we are not friend wo will not play the music together".As for these unique characteristics,Enshi Dulcimer have been widely circulated in Enshi Tujia and Miao Autonomous Prefecture of the various counties.The traditional Enshi Dulcimer has the characteristics of "no stage,no performance,no make-up",spread in the intellectuals and the upper society.However,with the development of society and the acceleration of the modernization process,Enshi Dulcimer's living environment has undergone tremendous changes.All aspects of the traditional Enshi Dulcimer have also changed.According to the characteristics of the stage art,the stage of the Enshi Dulcimer was adapted,innovation,it joined major competitions,show stage style,and achieved good results.On one hand,It shows the stage transformation success of Enshi Dulcimer,which promoted the spread of Enshi Dulcimer,on the other hand,we take into account weather the stage of Enshi Dulcimer is really realized on the inheritance and development?How much of this stage performance inherited the essence of Enshi Dulcimer?Are there any things that have lost their trueness?Did you do the stage really?Therefore,this article takes Enshi Dulcimer as the main research object,and analysis the existing two development models-the traditional non-stage and modern stage performance.The research methods mainly learn from ethnomusicology,anthropology,sociology and other disciplines.It explores these two forms of performance in the vocal music,accompaniment instruments,tone tone,performance patterns,performers and other aspects of the similarities and differences,and reveal the reasons for the changes of stage.What's more,how to heritage and development Enshi Dulcimer in the context of modern culture also need to focus on,and then think about how to reconstruct the traditional and modern collision.The whole thesis mainly includes the following parts:The first chapter is the introduction,which is the description and combing of the whole research situation,including the research origin,the research significance,the research related dynamic and the main research methodThe second chapter is the theoretical and conceptual level,which mainly summarizes the living environment,the development course and the two survival modes of the Tujia Enshi Dulcimer.The third chapter is the individual analysis level,which compares and analyzes the traditional non-stage form and the modern stage performance of the Tujia aristocratic Dulcimer respectively from several aspects.The fourth chapter is the individual analysis level,combined with the comparative results and its social background,explore the reason of Tujia Enshi Dulcimer from the traditional non-stage to the modern stage,and give suggestion on how to reconstructed in the modern society.The fifth parte is the conclusion,mainly to summarize the article,and thinking of the relationship between the stage and the non-stage.Finally,for the reference literature,appendix and thanks,mainly include the reference of the whole thesis,the pictures,folk songs,videos and the interview information of the field work,give thanks to people who help me complete my paper,including teachers,Friends,family and local stakeholders.