Analysis Of The Openness And Polysemy Of The Formal Language Of Contemporary Painting

Start from the painting practice,"take pen,in the face of a flat space,painted" such steps is how the majority of the artist's creation.This way in a flash can be open,in most case,it also needs a long process.Since put pen to paper,artists are faced how to generate a picture can most effectively convey the creative thinking.In the process of solving this problem,however,because of the creator's subjective intent,formed the two worlds,one is able to direct grasp of the meaning in the surface layer of objective world,the other one is beyond the surface meaning and fulfill emotional depth of the world.In this case,between the "surface" and "meaning",created a "area",can be perceived and reading,flexible,ambiguous and uncertain.Both artists in the creative process of generating,or the audience in the process of watching paintings,the "area" means to produce unknown of the picture.The existence of the "area",is a space where the image conveyed by different means,and works of art in the presence of charismatic,I call it "middle ground".After the 20th century,since the Renaissance paintings more dominated by realism tradition art,its function and to begin to become more open,the genre of painting in this period began to split,presents the development of nonlinear.Image conveyed by the mean,also appear ambiguity,vague in the expression of openness and fuzzy of poetic charm let art works more readable-"when the nature of a thing is expanding,the things is a dynamic,but.when someone tells you something have determined,dynamic is over."This paper from the image of objective existence and art practice work method point of view,to interpret works of art "middle ground" and the existence of ambiguity,and it is formed by the openness brings revelation and positive role.