The Fusion Of The "family Tone" Of Jingpo People And Popular Music

Since the 21 st century,the research trend of ethnomusicology is mainly from the study of traditional music,and gradually extended to the study of religious music,pop music field.More and more ethnic elements and popular fusion of music is accepted by the public,love.After the integration of music,from the small that is more likely to be sung,an increase of national pride,identity,to the big that can make the family more united and harmonious.This paper takes the study of the integration of "Jingpo nationality ’and" the integration of popular music "as the starting point,and concludes the research conclusion through the concrete fusion of music.Jingpo style of popular music,the use of Jingpo’s "ethnic tone" and the characteristics of pop music absorption,integration.Jingpo’s "ethnic tone" includes: Jingpo typical style of "song",marked"lining",a representative "instrument sound" and the typical Jingpo "language",pop music features include: Media,fashion,novelty and so on.Early Jingpo style pop music to "arranger" as the main,as far as possible to retain the music "as is" under the premise of its artistic practices more standardized,such as: Li Qinghai teacher arranger Jingpo folk song "Jingpo Hill harvest" The As the ethnic elements are too strong is not conducive to sung,and in order to make it more widely in the family sung,the mid-Jingpo style pop music played down some of its ethnic "ethnic tone",for example: Weng Lili teacher collection and singing "Chung rice song".In the past two years in order to expand the scope of the spread,dilute the more "ethnic tone",absorb more popular elements,this period of Jingpo style pop music is relatively more artistic,more concise,Also more short,such as: into the same dry teacher creation,Kong Huiying teacher singing "miss".Jingpo "ethnic tone" and the integration of pop music,with the passage of time,"ethnic tone" desalination more and more,absorbing the composition of popular elements more and more.