Authorized Symbols And Intervening Narratives

Like Zhang Yimou,Chen Kaige and other five generations of film directors are rich in national narrative feelings and pay attention to the form of color and image,in line with the values of the mainstream and popular aesthetic.The sixth generation directors are different,and they have strong intellectual feelings and distinct self-consciousness,image construction on the expression of personal feelings,is beyond system and independent groups.As the representative of the sixth generation director figures,Jia zhangke focuses on marginal figures in the social and historical changes,the survival status of the social vulnerable groups with a deep sense of populace and grassroots the pursuit of realistic performance of complex image penetration.They pay attention to the expression of the works of the documentary and reality criticism,but it is alienated from the ordinary audience in real life,the loss of the domestic market,resulting in the embarrassing situation caused by the wall flower wall incense.The competition between the literary personality and the box office market may not only be a problem in Jia Zhangke's films,but also a difficult situation for most of the literary and artistic films.In this paper,Jia Zhangke's film as a case study,starting from the perspective of film language,The systematic and theoretical analysis on structural characteristics of Jia Zhangke film language.Mainly from five aspects: the first part is the characteristics of the creative process of Jia Zhangke's films and elaborate language constructs.The second part is combined with the specific case,from the realistic documentary aesthetics,alternative expression and innovative form of the three elements offbeat analyzing systematically Jia Zhangke's movie the form of language.The third part is the combination of specific works,from the narrative theme,narrative structure,narrative perspective,the author of the expression and the effect of expression of the author's narrative language.The fourth part is through the films,from the four aspects of the social representation symbol,the role image symbol,the emotion expression symbol and the time background symbol,this paper analyzes the ideographic image symbol language in Jia Zhangke's films.The fifth part is the analysis of Jia Zhangke's film market acceptance from the perspective of communication,to explore the art and the market of Jia Zhangke film and Enlightenment to the development of Chinese literature and art film.