Aesthetic Study Of Festival Culture In The Han Dynasty

Han dynasty is an important period of the Chinese traditional festivals,the“etiquette” as a label was added the natural seasons in the pre-Qin of the Confucianism,The simple festival customs began to become an important channel for the downward of Confucian ethics,The combination of historical figures and festivals such as Qu Yuan,Jie Zitui.In this process,the official reformed the social and enlightened the masses by courtesy.Meanwhile,the emergence of the Han Dynasty promoted the integration of festivals and customs,the exotic customs introduced to the land.The festival system and calendar system are inseparable,the festival of Han dynasty adjusted the etiquette and custom of the officials,and played a guiding role in conforming to the Natural Laws and developing agricultural production.The aesthetic characteristics of the festivals also presented a kind of agrarian cultures.This paper studies the festival culture of Han Dynasty from the perspective of aesthetics.Firstly,studied in-depth the cultural of the Han Dynasty festival.The festival culture of Han Dynasty has profound natural seasonal and cultural conception,the animism,naturism and ancestor worship are the cultural connotation of it.Secondly,this paper analyzes the aesthetic connotation and aesthetic features of the Han Dynasty festival and its social function.Finally,according to the problems of the aesthetic culture of the festival,discuss the conversion and the way out.The text is divided into five chapters,the main content as follows:The introduction discusses the reason and value of the topic,the research actuality,the methods of research and the definition of the main conception.This paper argues that the important period of the Han Dynasty as the initial shaping of Chinese traditional festivals has been the hotspot of academic research.However,there are few researches on festivals from the aesthetic,lacking of the aesthetic connotation and the characteristic.Chapter one: The formation and development of the festival culture of the Han Dynasty is described from the historical basis and social basis,it's divided intoemerging,growth,transformation and contraction of the four categories of festivals.Selecting the representative festival,discusses its origins,main activities and cultural connotation,reveals the general features of the festival culture of Han dynasty.Chapter two: Summarizing the aesthetic connotation and the characteristics of the festival culture in Han dynasty,this chapter researches the aesthetic connotation and characteristics,including external ceremony and internal coherence of the festival culture.The Confucian theory integrated the aesthetic distinction between festivals and customs,which highlighted the aesthetic qualities of the sacred nature of the festival culture.Chapter three: The aesthetic social function of festivals culture in Han Dynasty.The festival due to the social development and people demand,also impact on the development of the society and people's life.This chapter discusses the establishment and formation of aesthetic community from HuaXia to Han nationality,in the festival culture of the Han Dynasty,the "ritual" and "vulgar" culture are common development,complementary and complement each other,they became the model of etiquette and custom interaction in aesthetics sense.Chapter four: The modern transformation of festival culture aesthetic of Han Dynasty.This chapter focuses on the traditional festival in new changes,lacking of meaning and significance of traditional festivals in modern experience,in the modern aesthetics experience,integrating the aesthetic connotation of festival culture is the key to the transformation of the aesthetic problems of the Han Dynasty.This study aims to comb the festival literature of the Han Dynasty,which peers into the festival life,researches the aesthetic characteristics of festival culture,to provide the academic perspective of social history and cultural history in Han Dynasty.