Analysis Of The Touch Of Conceptual Art In Liu Jing's Works On Chinese Traditional Culture

His paper analyzes the transition from traditional conceptual art to contemporary conceptual art,discusses the blind area oftraditional conceptual art and the development of contemporary conceptual art,and thus raises the possibility of Liu Chuang 's artistic creation in contemporary conceptual art development.Liu window art form is no longer a binary opposition logic structure,but according to his own argument,is in an archaeological way to explore a series of intricate things in the deep logic,a truth-seeking creation.Liu Chuang'sworks will be combined with some of Foucault's theory as an auxiliary to demonstrate his works on the touch of traditional Chinese culture.Mainly from his four works,one from the "fragmented landscape" is the building of the protective window pattern of historical evolution,discusses the existing Chinese discourse of touch.Second,the "Untitled(partner)" is an artist in an interventional way to trigger people to our daily rules of thinking,discusses the expressway as a model of traditional Chinese rule system touch.Third,"Flower I" is the artist in a sociological way involved in the video works,explore the boundaries of reason,which is the traditional Chinese touch.Fourth,the "love story" mining in the eighties and nineties of the last century as a special economic zone of Dongguan development of the crowd in the region of a variety of emotional state,and his presentation is the traditional language structure itself,a kind of speech Discussion,it can be said that this is the traditional language of the Chinese way of touch.Liu window as the research object is mainly because of his works there is a specific time in China,a specific environment,an internal logic and internal clues.