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On The Singing Technique Of High Cavities In Hunan Folk Songs

Posted on:2018-03-31Degree:MasterType:Thesis
Country:ChinaCandidate:H C MengFull Text:PDF
GTID:2355330518480627Subject:Music
Abstract/Summary:PDF Full Text Request
The content of this paper is to study China Hunan folk songs produced in the geographical environment,social,cultural,and linguistic background,and pitched folk style,focus on singing high pitched in the Hunan folk songs in the works of the specific skills and singing skills.Including the use of skills,the true sound mixed use,mixed use resonance region,and then to high singing the meaning of existence and aesthetic value in Hunan folk techniques were discussed.The folk songs in Hunan Gaoqiang singing techniques,as emerged in the process of the development of national vocal music in a small Chinese branch,there are many fresh experiences worth learning and reference.Through this study,we can have a better understanding of Hunan folk songs.The two is to let the vocal learners learn the nutrient rich Hunan Gaoqian folk songs singing it,learning techniques,skills and experience,to further improve the actual singing in singing.Three is to maintain and increase its aesthetic value.From the style characteristics of various ethnic groups have become an independent school,make our national vocal singing style is more diversified and personalized,to Chinese national music to further bring colorful,All flowers bloom together.situation.
Keywords/Search Tags:Hunan folk song, Gao Qiang, style characteristics
PDF Full Text Request
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