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Li Yu's Research On The Phenomenon Of Stylistic Creation

Posted on:2018-01-11Degree:MasterType:Thesis
Country:ChinaCandidate:M YangFull Text:PDF
GTID:2355330518969314Subject:Ancient Chinese literature
Abstract/Summary:PDF Full Text Request
Li Yu is skilled at cross-genre writing,which is shown in his fictions,dramas,poems and articles obviously.This thesis is divided into four parts to discuss the permeation and influence of different genres of his works and makes a proper comment.The first chapter is the brief introduction,which elaborates the general phenomenon of cross-genre writing and the unique conditions of Li Yu's cross-genre writing.It analyzes the value and meaning of the theme,provides the status quo of research and demonstrates the research space of the theme.This chapter mainly reveals that the successful cross-genre writing of plenty of writers breaks the limitations and shackles of genres,which make it possible to do the cross-genre writing.What's more,Li Yu's creative ideas meet the innovation requirements of cross-genre writing appropriately,his personal character is shown completely within cross-genre writing and his experience provides cross-genre writing with a lot of beneficial enlightenment.The second chapter puts an emphasis on the research on the cross-genre writing between Li Yu's fictions and dramas.The statements like 'Silent drama' and 'Drama is originated from fiction' reveal his attempt to do the cross-genre writing between fictions and dramas.Li Yu adopts the methods of producing dramas as narratives and time-treating in his fictions and he shapes characters with plenty of drama techniques.Furthermore,he narrates elements of opera in detail in his fictions.The permeation of fiction through drama can be felt clearly when readers read the tales adapted from Li Yu's four kinds of fictions,which are filled with elements of fiction.Whether they feel it from the spoken parts or the structure.The third chapter researches the cross-genre writing between Li Yu's poems and fictions.The poems are specific in Li Yu's fictions.They are his conscious and autopsychic creations and closely related to the plots.The poems at the beginning of his fictions are of great function,which have the function of summarizing the contents and pointing out the themes of fictions.While the poems in the context are not only connecting the exposition and elaboration of plots,but also creating a poetic atmosphere.The last chapter researches the cross-genre writing between Li Yu's fictions and articles.The influence of his articles on fictions is similar with his poems.Foreword is the prologue of his fictions.Various articles in the main body become a moment of the development of the plot.These articles embody Li Yu's spirits of vignette with the language pattern which is like classical Chinese.While fiction narration has an influence on his many articles.This chapter puts an emphasis on its penetration into the fictions like natural scenery prose of travels,biography and Xian Qing Ou Ji(Occasional Notes with Leisure Motions).Finally,the thesis makes a conclusion on Li Yu's cross-genre writing phenomenon and illustrates again that his endeavor is a kind of positive exploration of cross-genre writing.This thesis is aimed at further excavating the integral artistic value of Li Yu's works from the aspect of cross-genre writing.
Keywords/Search Tags:Li Yu, Cross-genre writing, Permeation, Influence
PDF Full Text Request
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