Exploring The Problem Of The Pitch Of The Traditional Six-hole Bamboo Flute From The Perspective Of Law

The chinese bamboo flute,a kind of open pipe instruments,is one of the oldest and most attractive wind instruments in Chinese national musical instruments.When playing bamboo flute,the intonation not only relys on the player's superb playing skills,but also requires an adjustment of inner intonation concept.However,the rhythm of different areas is quiet different,leading to different interval relations and slight fluctuations among its pitches,so grasping the intonation is the main factor affecting the performance of bamboo flute.This paper will study and discuss the pitching problems in the practice of Chinese traditional six-hole bamboo flute in the perspective of law.This paper will study and discuss the intonation in the preformance of Chinese traditional six-hole bamboo flute in terms of the musical temperament,and introduces many factors that affect the intonation in the performance of traditional six-hole bamboo flute from all aspects.The paper also clarifies that the traditional six-hole bamboo flute is a multi-disciplinary instrument.Aims to help the player to correctly understand several commonly concept of melody,mixed use a variety of melodies,grasp the "relative pitches",and expound the connotation of bamboo flute music,as well as grasp the ability to combined with the Western musical instruments and other national music works.The paper is divided into three chapters:The first chapter studies the concept of intonation in terms of the musical temperament,and gives a detailed introduction,analysis and comparison to the concept of "twelve-tone equal temperament","five tone cadence temperament" and "the Just intonation".The second chapter elaborates the orientation of tuning system in the performance of traditional six-hole bamboo flute: discusses the performance of the traditional,mordern,and multi-voice bamboo flute music works,and the structure characteristics of the traditional six-hole bamboo flute,and analyzes the orientation of tuning system in the performance of bamboo flute.The third chapter is the main body of this paper.First of all,analyzes the use of rhythm and intonation from the specific form of the melody,and then discuss rhythm characteristics of the styles of some local music in order to make the intonation in the performance meets the listening habits and aesthetic requirements of people.