The Triple Experience Of Chinese Opera Performances

Chinese traditional opera has a long history and it is a kind of highly mature comprehensive art whose cultural base is far-reaching and amplitude.Chinese traditional opera is good at practice but poor at theory carding.Therefore,it is difficult to launch the research of C hinese traditional opera.But it is not a stumbling block to study the theory and method of performing arts.Relatively speaking,traditional opera art is poor at theory while western drama has plenty of academic works.Chinese traditional opera can learn from its researching ideas and methods.That's to say,to adopt its strong points and close the gap.Drawing lessons on research from western drama schools can he lp us take off the mysterious veil of Chinese traditional opera and explore the true face of opera with a new perspective and understand its internal law.However,there is a fundamental difference between Chinese and western art in culture.Therefore,when we are doing research,first of all,we need to understand the law of drama and base on the essence,apply it flexibly so as to pursue the personality and characteristic of art by contrast.Chinese traditional opera has an abundant practice on stage.We sum up the perceptual materials by reason and combine with western academic methods on the essential characteristics and laws of opera art to explore the methods applicable to C hinese drama.We tries to study the unique drama style of China through perfor mance practice and the combination of C hinese and western schools of philosophy.The world-renowned schools of drama is in varied forms.The most prominent one is the “experimentalism”----Stanislavski.Besides,the “Verfremdung”-----Bertolt Brecht.The histrionic experience they raised,one the one hand,into the role of the inner life,as the incarnation of role,known as the life experience.Furthermore,they alienate the relationship between actors and characters and control performance,known as role experience,which is mostly a double experience or experience.We found that there are triple drama experience in C hinese opera through practice and research.They portray shape and attitude in accordance with the program specification which called the program experience.Triple experience is the unique Chinese historical drama method.The opera performance need to integrate into the role and in accordance with program specification of creating artistic style.Controlling performance on the base of the devotion of it and deepening beauty from thinking to behavior.With poeticizing and stylization and,alienation is everywhere.In this paper,we combines theory with practice,hoping to make a contribution to enrich the C hinese theory-researching and Chinese traditional opera performance.