The Origin And Value Of The Style Of The "Flying Sky" In Yungang Grottoes

In the chinese culture in the course of a long-term development,there are numerous reflects the interaction between chinese culture and foreign culture and absorb,multi-ethnic culture blend and development of historic sites.The yungang grottoes is combines a variety of art,is the product of cultural assimilation and absorption of other national culture,is the northern wei period from Green,India,and other art skillful craftsman,and organic blend of chinese traditional art style of the world civilization.Fly is a flower in the field of art in china,with its unique beauty conquered in one thousand to the thousands of pilgrims,not only for countries to provide the excellent archaeological data,also the art festival,music,dance,architecture and so on is of great significance.Flying is a beautiful,clever,elegant and the embodiment of harmony,its modelling of dance artistic aesthetic feeling with the chinese national spirit and aesthetic ideal,convey the internal life the most dynamic,constituted to dynamic and systematic life emotional appeal.Art comes from life,flying art from art to life,from heaven to earth,from fantasy to reality,has become the embodiment of people happy desire,people eager to soar like flying in the sky of freedom,therefore,it has down to carry people nice wish and aesthetic interest.Flying in yungang grottoes statues is common in Buddhist grottoes and culture of a kind of art expression means,this special art culture symbol initially as the Buddhist culture was introduced to china by the western regions,in the process of chinese native culture,grounding is affected by the west culture and the han nationality clture,forming a flying the ci-poetry music image with chinese characteristics.Yungang grottoes in s and style of the building is divided into three main periods,of the main style in different periods of study,this paper explore the flying apsaras style and the impact on all aspects of the source,finally to explore the value of the existence of ci-poetry by the yungang grottoes flying music and its influence on contemporary chinese classical dance.In the paper,a total of five chapters,the main contents are as follows:First chapter,introduction,this chapter is divided into three parts,the writer respectivelt expounds this article selected topic reason and the significance,content and innovation of research,this topic of domestic and foreign research present situation and existing problems at present stage.The second chapter,introduce flying and flying in the yungang grottoes derivation the image of the ci-poetry.The author of this chapter is divided into three parts,fiest,introduced the generation of flying,including Indian Buddhism in flying and thefeathermen legends in ancient china,second,abrief overview of yungang grottoes geographical position and create a background,the final image flying le ci-poetry in yungang grottoes.The third chapter,yungang grottoes flying le traced the ci-poetry style characteristics.Yungang grottoes flying the ci-poetry music show different style characteristics in different periods,the cause of its pluralistic style including deriving from Buddhism,the influence of western culture,many nomadic culture and centeal plains culture,this chapter the author has different sources to do detailed resecrch.The fourth chapter,the paper expounds different period yungang grottoes flying ci-poetry style of different characteristics.The fifth chapter,explore the yungang grottoes lifts off,the value of the ci-poetry.This is the last chapter of this paper is divided into two parts,the fiest part studies the yungang grottoes flying statues posture,clothing and props for the influence of chinese classical dance,the second part of the yungang grottoes flying statues to rise ti the ancient philosophy of "nature and humanity" theory,the flying the ci-poetry music not only has a beautiful dance,elegant dress,also contains the traditional chinese national spirit,has the cross time heritage value.