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Musical Characteristics And Singing Analysis Of The Aria "L'amero,saro Costante" In Mozart's Opera "Il Re Pastore"

Posted on:2019-01-11Degree:MasterType:Thesis
Country:ChinaCandidate:Y HaoFull Text:PDF
GTID:2355330548457784Subject:Arts
Abstract/Summary:PDF Full Text Request
Mozart made great contribution to the development of Classicistic opera.He was largely influenced by the opera reform of Gluck and the Enlightenment in his early period of creation.Under the influence,he produced the opera named "Il Re Pastore" in 1775,which became his masterpiece of this period.The opera is of great artistic research value for the singers of vocal music.In the paper,the aria titled "L'amero,saro costante" from opera "Il Re Pastore" was selected as the research object.In the aria,Mozart not only inherited the outstanding tradition of Italian opera,but also used the achievements of opera reform by German opera composer Gluck for reference.It is perceptible that young Mozart demonstrated his outstanding talent for melodies in every detail of the music.The paper is divided into three parts.To start with,the first part conducts an analysis of the music features of the aria "L'amero,saro costante",which includes the logic musical structure,dramatic harmonic form,the emotion gradient relationship between lyrics and the music etc.The second part is mainly the analysis of singing of the aria,which is composed by reasonable control of voice,emotion of characters and psychological change,and the tacit cooperation of singing and piano accompaniment.Following the groundwork in the first two parts,the author emphatically expounds on the individual singing experience in the third part.It is hoped that the analysis of work can provide some theoretical basis for the subsequent study of vocal music learners.
Keywords/Search Tags:"L'amero,saro costante", "Il Re Pastore", Music features, Singing analysis, Singing experience
PDF Full Text Request
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