The Innovational Application Of The Chu Cultural Symbols In Womenswear Design

Chu culture is an outstanding representative of southern culture in the Chinese cultural system.It has created colorful and diverse civilization achievements in the long history.As a culture rooted in the Jingchu land,it not only promoted the strengths of the Jingchu culture,but also integrated the cultural factors of the Central Plains Zhou culture.The multi-factors enhanced the multiple fusion of the Chu culture.The culture formed by this history represents a highly condensed Chu culture image,and then forms a cultural symbol system with national symbols.Integrating it into the modern women's creative designs has an important significance for the protection and transmission of Chu culture.Since each region in China has its own unique geographical environment and customs,the formation of clothing features is also closely linked to the local special geographical environment.In recent years,although domestic women's wear has made great achievements,convergence has become a general trend in international convergence.The domestic women's wear is generally characterized by serious homogeneity,low design content,and weak self-innovation.As a result,the regional women's wear design lacks differences.The design mainly includes plagiarism of design patterns,reproduction of clothing styles,and simple stacking of traditional cultural symbols.Abuse,etc.,resulting in the lack of similarity and sense of belonging of women's products.The author believes that for the current lack of cultural characteristics in China's regional women's wear design,we should start from the regional cultural symbols,use design reconstruction methods to achieve the value of Chu culture design,as the best way to promote the cultural connotation in women's wear design..Therefore,this paper takes the symbol of Chu culture as the entry point and divides it into three parts in the argumentation.The first part takes Chu culture as an outstanding representative in the regional culture,starting from the theories of art,graphics,aesthetics,and semiotics,and summing up Chu culture.The classification of symbols and their different artistic characteristics,and using actual cases to analyze the status of the innovative application of Chu culture symbols in modern women's wear,clarified that women's clothing design not only contains a functional and visual aesthetic,but also can display geographical history and culture.The second part takes the symbol of Chu culture as the research object,combines the principles of semiotics and the innovation laws of modern women's clothing design,sums up and summarizes the innovative uses of Chu culture symbol in women's clothing design,that is,through the excavation of Chu culture history and design elements.The formation of refinement and design symbols was applied to the women's creative design practice with symbolic reconstruction and redesign methods.The third part selects the classical representative symbol in the Chu culture-the symbol of the phoenix symbol as the main element of design practice.Combining the natural form creation techniques in the Chu creation art,the classical color in the Chu culture art is selected-black and red.The design and production of "Chu Xun Impression" series of women's couture works confirms the practicality of the topic.Xiyi provides a certain reference and reference for the discussion of the integration of regional cultural features into women's wear design.At the conclusion,the article expounds that China's regional women's creative design is inseparable from the creative transformation and integration of regional cultural characteristics,so that it can design women's creative products with cultural connotations and enhance the competitiveness of the regional women's products,thus further enhancing the city.Cultural soft power provides a good development environment for the great cultural development and prosperity during the 13 th Five-Year Plan period.