| Inkstone for the grind of ink,belonging to one of the four treasures.Inkstone has grown in qin and han dynasties,tang and song dynasties to the peak period of development,in China’s guangdong province,yan,she inkstand and mud inkstone is most prominent,and other types of inkstone people not too concerned about,such as the research object of this article Jin Yin inkstone.Of course,there are many reasons why it is not paid attention to.It will be analyzed based on the relevant data collected and related examples.Since the history Jin Yin inkstone not investigated related articles,this article will from its history,stone qualities,skills and style,and compared with other kinds of YanDiao,Jin Yin inkstone demonstrates the unique cultural and artistic characteristics.This article focuses on the third and fourth chapters.The third chapter combines the traditional Chinese aesthetics,and through the analysis of the case of jin Yin yan,the author thinks that the modern production of jin Yin stone in the relationship between "nature" and "man",is the weakening or even regression of "nature".Its expression is in style is the complex sex of adornment or stylization,expression is in the technique is the machine of a lot of use,the natural feeling that handicraft produces disappears.This chapter through the analysis of the aesthetic of jade and stone,also pointed out that Jin Yin inkstone on aesthetic culture connotation,Jin Yin inkstone although it also has its historical and literary acclaim,but more from the stone itself,rather than Jin Yin inkstone carved design.In the fourth chapter,the author thinks that the theme of jin Yin yan’s sculpture reflects the aesthetic value orientation of people in different periods.Through the comparison and analysis with the four famous inkstone,points out that nowadays Jin Yin inkstone creation did not give full play to the Jin Yin inkstone stone material advantage,can absorb more traditional painting expression and brick,eaves tiles,and calligraphy seal cutting and so on expressive part.The two chapters will take a broader perspective on the characteristics and problems of jin Yininkstone.In addition,through comparative analysis of the traditional painting and sculpture in ancient China multiple painting and sculpture,the reason lies in the low level of creator culture in ancient sculpture,sculpture is seen as a matter of the rabble.Jin Yin inkstone text or image data is very limited,therefore,the author mainly engaged in production of Jin Yin inkstone craftsmen Mr Qin fish to interview,combining the field survey,understanding and Jin Yin inkstone about the history,production processes,market conditions and so on various aspects of the situation.Jin Yin inkstone,although there are many shortcomings,market development is not very optimistic,but based on the research of the Jin Yin inkstone,can broaden our horizons of understanding of the folk sculpture,a lot of Chinese traditional folk sculpture sort,Jin Yin inkstone is one of the research in this paper,the modern sculpture art developing process,folk sculpture sculpture can be used as an inexhaustible source of creative inspiration. |
