Research On Style And Meaning Of Contour Line In " Chu-han Embroidery" Schema

Stepping into information age,the regional characteristics of each embroidery have gradually become homogenized.Modern Chinese embroidery artists actively innovated the acupuncture skills and revived the ancient Youzhen embroidery.A large number of simulated embroidery works appeared,which was amazing,but lost the "truth" of traditional Chinese embroidery.The traditional Chinese embroidery draft begins with the outline of the object image,and the outline is the universal basis of the process flow.It inherits the essence of traditional Chinese painting and visualizes the object in a visual way.The Simulation embroidery is the embodiment of Western culture,and the object image is viewed in a block-like visual way.In order to avoid the "Westernization" of Han embroidery,the research of this subject is carried out,and the important role of outlines in the artistic expression style of embroidery is greatly explored,thereby enhancing the embroidery's ability to create patterns,craftsmanship and style control,which can be used to create embroidery works with regional characteristics.Schema is a kind of psychological cognitive structure.It is the “origine” of the artist's mind and concept projected in the art world.It needs to be revealed by means of form factors.As the main medium for the appearance of Chu embroidery and Han embroidery,the outline is also an important factor in the style of the pattern.The article mainly compares the pattern styles of Chu embroidery and Han embroidery with the outline as the center.The study is divided into six parts:The first part is the introduction part,including the background,purpose and significance of the research,analysis of the status quo of the research and innovation,and redefines the definition of Chu embroidery,Han embroidery,modern Chu embroidery and modern Han embroidery.The second part is the theoretical review part.The relationship between white drawing,pattern and embroidery is expounded.The difference and connection between the draft,patterns and the embroidery outline are further inferred.It is concluded that there is a direct connection between Chu embroidery and the pattern,furthermore,there is an indirect connection between Han embroidery and the pattern.It is reasonable that the analysis can be done through the outline.The third part analyzes the style characteristics of Chu embroidery and Han embroidery from the perspective of practical outlines,including the variation law of the outline of "Chu Han embroidery".The relationship between bottom and organization.The fourth part analyzes the style characteristics of Chu embroidery and Han embroidery from the perspective of decorative outlines,including the existence form of the outline of "Chu Han embroidery",the meaning of form and its shaping force.Firstly,the influence of the outline on the style of "Chu Han Embroidery" is discussed.The style can be simply summarized into line drawing and drawing style,expressive and reproducible style,it is also pointed out that the research of outlines can be the source of deep understanding of the technical process.The sixth part is the conclusion part of the topic.The article mainly explores from the perspectives of visual psychology,composition,modeling language through literature research,field research,comparative analysis and case analysis.it is creative that the study of outlines can be used to the broader field,which is also useful for analyzing the technological characteristics of visual art works.