Exploration Of Xiang Embroidery Images

Xiang embroidery is not only a folk craft,but also an expression of fine art works,with a long history.Returning to the image ontology is one of the methods to study the true representation and changes of fine art works in history.The images of Xiangdi embroidery at various stages clearly explain to us the true presentation and changes of the images of Xiangxi embroidery in history.Xiang embroidery is an important part of the cultural traditions of ancient ethnic embroidery crafts in the region.It absorbs regional characteristics and at the same time bears the extremely high consciousness and unique creativity of handicraftsmen.Its artistic conception and expression techniques become a model of later generations of national art.The content of this paper will be divided into an introduction and three chapters.The introductory part is an analysis of the research background and current situation.It explains the development of embroidery art by combing embroidery media and tools.The first chapter is the image analysis of Chu Di embroidery in the Warring States period to explain the historical and cultural information behind the Chu Di embroidery in the Warring States period.The second chapter is the analysis of the images of Hunan embroidery in the Western Han Dynasty,explaining the historical and cultural information contained in the Hunan embroidery in the Western Han Dynasty,and comparing it with other art forms in the same period,indicating that it has not changed the theme with the development of history.The third chapter is to analyze the art of Hunan embroidery in the same vein.By analyzing the images of the previous and modern Hunan embroidery,it is explained that Hunan embroidery not only needs inheritance and innovation,but also needs to not forget history.