The Blank Beauty In Chinese Classical Gardens

“Blank beauty” is an important category in Chinese classical aesthetics.It has an important influence on Chinese traditional art.Among them,garden architecture art is the most typical.The construction of “Blank Beauty” in garden architecture is its most unique part,with distinct personality;it pays special attention to the construction of “blank beauty”,which is also an important factor that distinguishes it from other art.Therefore,the search for "blank beauty" in Chinese classical gardens is necessary and valuable,which is especially important for the establishment of the garden aesthetics system with garden culture as the core.Suzhou Garden is an outstanding representative of Chinese classical garden architecture and has a unique historical position and value in the history of world gardening.Taking Suzhou garden as the blueprint,it is an important entry point for the theoretical study of “Blank Beauty”.However,through literature review,it can be found that although there have been many studies on the "blank beauty" in Suzhou gardens by scholars of the past,there are few comprehensive,systematic and in-depth research results.The academic monographs and doctoral thesis on this topic are Almost no,this leaves room for further study.Taking Suzhou garden as an example,this paper takes the relationship between“blank”and the “beauty”of Suzhou garden as the research subject,and analyzes and interprets it from three aspects: aesthetic theory,philosophy and aesthetic psychology,in order to build a more systematic system.The "blank beauty" system.Based on this idea,in addition to "introduction" and "conclusion",this article consists of four parts:The first chapter mainly discusses the concept of "blank",the source of thought,the definition of "blank",the connotation of aesthetics and its relationship with the garden,including the definition of "blank beauty" in gardens in gardens.The concept of "blank" is often mentioned in Chinese classical literary theory,art theory,and philosophical theory,but the relevant definitions are not clear,and often appear in front of the world in another way,such as "whitening black" in painting theory."Flying white" in calligraphy,"being without words" in poetry,etc.,all illustrate the importance that traditional art attaches to "blank." "Blank" not only plays an important role in the theoretical research of classical book theory and painting theory,but also has a strong creative practical value.For example,garden architecture is nurtured under the influence of "blank" construction.The aesthetic realm of man-made,like heavenly work.Of course,in the creative practice of literary creation,garden construction,etc.,the term “blank” has long since deviated from its literal meaning,and has changed from a description of the state of the empty,unfilled facts to some uncertainty.It seems that there is no or emptiness itself,and it has a richer aesthetic connotation.The second chapter mainly reveals the important role of the existence of “blank beauty” onSuzhou gardens from the perspective of “garden construction” through the overall elaboration of garden space and detailed analysis of regional landscape.For example,the existence of “Blank Beauty” makes Suzhou gardens more dynamic and natural,which is reflected in the construction of the architectural entity,space and color of the garden.The third chapter combines the classic parks in Suzhou gardens to analyze and explain the role of the “blank beauty” in Suzhou gardens and the aesthetic and aesthetic connotations it presents to build a relatively complete aesthetic system.The fourth chapter explores the aesthetic psychology reflected in the "blank beauty" from the perspective of aesthetic psychology,in order to answer the question of why the garden construction needs "blank beauty" and what kind of aesthetic experience the appreciator can get from the "blank beauty".Further explanation of the existence value of "blank beauty" in Suzhou gardens.The fifth chapter mainly analyzes the expression of "blank beauty" in the current garden construction from the perspective of "aesthetic reflection",emphasizing that "blank beauty" still has enlightenment for the current garden architecture,and further discusses "blank beauty".The necessity of existence and its positive role in the future landscape architecture design.