Research On The Speaking Style Of Wong Kar-wai Movies

The lines are the foundation stone of a movie,the indispensable factor in the film,and play a pivotal role in the film.In the eighty s and eighty s Hong Kong cinema,Wong kar-wai's film is a monument to his movie lines both has full-bodied Oriental color,is under the influence of western postmodernism thoughts.The collision and fusion of Chinese and western culture have formed a unique "Wang's" style.Articles with Wong kar-wai film lines as the research object,under the perspective of linguistics,from the body of the movie style,expression skills and pragmatic strategies,summarizes the characteristics of its lines,analyze its style,makes every effort the Wong kar-wai film from the Angle of the lines have a more in-depth interpretation.First chapter is introduction,mainly introduces selected topic origin,and from two aspects of domestic and foreign research status of Wong kar-wai film comb,at the same time the paper elaborates the research purpose,research significance and innovative points.The second chapter mainly to explore the Wong kar-wai film line style induces two big characteristics,a thick Oriental color and bright post-modern style,and the concrete elaboration for five:GuaiJue strange mysterious color,improve the profound artistic conception beauty,meaningful philosophical,cold temperature cold indifference,whispering wulitou long-winded.The third chapter mainly analyzes the expression skills of Wong kar-wai's movie lines from the perspective of linguistics,including the words used in the movie lines,namely,classical Chinese words,terms and words;the sentence patterns used in the movie lines are complex sentences,whole sentences and variable sentences,as well as the rhetorical devices used in the lines.The fourth chapter mainly analysis from the perspective of pragmatic strategy of Wong kar-wai film lines,analysis of the lines is clever to violate the rule of the number of the pragmatic strategy,quality standards,and associated criteria and principles of the special conversational implicative,and form the basis for the line style are discussed.Fifth chapter mainly discusses the Wong kar-wai film formed by the line style of context are discussed,including lines matching situational context and created their own cultural context,to explore the internal and external context's impact on the line style formation.